Taming of A “Terror” Father
What happens when an egoistic father of a middle-class family is brought down to earth? While the...
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How “The Penis Monologues” Challenges China’s Toxic Masculinity
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
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Stefano Massini’s “The Lehman Trilogy” at the Piccadilly Theatre
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
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Remembering Girish Karnad: A Visionary Playwright
Rooted in Indian tradition, Girish Karnad’s plays will continue to converse with the...
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Dana Michel: “Cutlass Spring”
“You have to sit on the side of the stage. You’ll see that when you enter you have the option of...
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Dancer of the Year and Dancer of the Year Shop
Performing the performing other American dancer and choreographer Trajal Harrel marks his first...
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Remembering Girish Karnad
For the theatre world, the passing of Girish Karnad has been nothing short of a giant tree...
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“Cloud 9:” A 1979 British Take on Power and Gender
When I first read Cloud 9 by Caryl Churchill ten years ago as a theatre undergrad, I was struck...
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TheTheatreTimes.com Launches Performap.com – Interactive Digital Map of Global Theatre Festivals
TheTheatreTimes.com launches Performap.com, an Interactive Digital Map of Global Theatre...
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Why Every Theatre Needs A Digital Strategy
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
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Kenneth Lonergan’s “The Starry Messenger” at Wyndham’s Theatre
Dramatic representations of ennui often have an important decision to make at the onset of their...
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“Three Sisters.” Maly Drama Theatre of St Petersburg. Vaudeville Theatre
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
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PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
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What Theatres Expect From Digitality And What Digitality Expects From Theatres
Technology is pervasive in today’s society. Code = culture. Algorithms define our way of life. In...
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Caryl Phillips’s “Strange Fruit” at the Bush Theatre: Windrush Generation Classic
I’ve always been a bit sad that so many contemporary classics are so rarely revived. I have even...
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Site-Specific, Immersive, and Interactive Theatre at the Napoli Teatro Festival 2019
Most writing on site-specific, immersive, and interactive theatre focuses on productions in...
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PQ 2019: Puppet Masters
On the final day of the Prague Quadrennial, I decided to explore the roots of the Czech theatre...
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“The Three Musketeers:” A Traditional Bout
After an inaugural season of staged readings last year, this season, The Front Porch Arts...
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Napoli’s World-Class Theatre Festival
What do Napoli, Avignon, and Edinburgh have in common? They host world-class international theatre...
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PQ 2019: An A+ B-Movie
I didn’t know what to expect from the Telekinetic Assault Group. The name was aggressive and the...
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