Latest Archives - Page 103 of 287

The Fundamental Profanation

Posted by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender

Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...

Haruna Lee’s “Suicide Forest”

Posted by Abigail Weil | 6th Mar 2020 | Design, Japan, New York, Review, Transcultural Collaborations, United States of America

Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...

“United Queendom”: When Immersive Theatre Meets Historical Reenactment Tour

Posted by Aida Rocci | 5th Mar 2020 | Immersive Theatre, London, Review, United States of America

United Queendom shines with potential. The location itself offers the thrill of being after hours in a royal palace, the expectations of whispers and court intrigue. Queen Caroline and Henrietta Howard bring a captivating tale and Les Enfants Terribles have a relevant lens to approach it and a bold aesthetic to make a memorable event. But I wished I had been part more of an immersive show than of a historical tour.

Sally Abbott’s “I Think We Are Alone” at Theatre Royal Stratford East: Coolly Controlled Study of Loneliness

Posted by Aleks Sierz | 5th Mar 2020 | London, Review, Theatre and Dance, United Kingdom

Once radical theatre companies are increasingly celebrating anniversaries, as if to say, hey,...

The Bolshoi Theater School: Only in Russia and… Brazil

Posted by Anna Galayda - Russia Beyond Headlines | 4th Mar 2020 | Brazil, Interview, Russia, Theatre and Dance

Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...

Demystifying The Magic Of Theatre

Posted by Vikram Phukan | 3rd Mar 2020 | Essay, India, Theatre and Politics

In the play, Colors of Trans 2.0, when the transgender performer Living Smile Vidya bares her...

Factory 20/20: Five Women, Five Mediums, One Tribute to BausHaus

Posted by Matt Hanson | 2nd Mar 2020 | Review, Theatre and Art, Turkey

At the inaugural show of Istanbul’s newest art space KoloniX, the all-women collective...

Chutti Artiste Margi Raveendran Nair’s Make-Up Transforms Kathakali Actors into Characters

Posted by Saraswathy Nagarajan | 2nd Mar 2020 | India, Review, Theatre and Art

For more than three decades, the artist has been applying the intricate and distinctive make-up of...

An Interview with British Theatre-Maker and Comedian Jess Thom Co-Founder of Touretteshero

Posted by Colin Hambrook | 1st Mar 2020 | Interview, London, Theatre and Disability, United Kingdom

Touretteshero teams up with Battersea Arts Centre to make South London’s premier theatre space the...

Girls to the Front: “Mac Beth” at Hunter Theater Project

Posted by Andrew Agress | 1st Mar 2020 | New York, Review, United States of America

Reading dry Shakespeare texts and going to parties at friends’ places seem like quintessential...

Dejan Sretenović on Marina Abramović: “She is a Case Study for Young Performers – to Learn, to Be Brave, to Know Different Genres”

Posted by Ina Doublekova | 1st Mar 2020 | Interview, Serbia, Theatre and Art

Witch. Icon. Legend. Showman – Marina Abramović is all of that, and more. “I realized then...

“The Chains:” Dance Theatre Uganda Returns with a Bang!

Posted by Ian Kiyingi Muddu | 1st Mar 2020 | Review, Theatre and Dance, Uganda

We last saw them on stage in 2016. We thought they had gone down the way of most companies –...

Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make

Posted by Síofra Ní Shluaghadháin | 28th Feb 2020 | Acting, Interview, Ireland

It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....

Churchill’s “Far Away” at The Donmar Warehouse

Posted by Aleks Sierz | 28th Feb 2020 | London, Review, Theatre and Politics, United Kingdom

Caryl Churchill, Britain’s best living playwright, is enjoying a spate of high-profile revivals of...

Updating “Romeo and Juliet” in a Bid to Fight Prejudice in Japan

Posted by Nobuko Tanaka | 28th Feb 2020 | Interview, Japan, Theatre and Gender

With William Shakespeare’s iconic use of English lost in translation, bold and reimagined versions...

Filming in Cunningham’s Footprints

Posted by Katalin Trencsényi | 27th Feb 2020 | Review, Theatre and Dance, Theatre and Film, United States of America

Cunningham Directed by Alla Kovgan “A 3D cinematic experience about legendary American...

Born Toulouse

Posted by Abigail Weil | 27th Feb 2020 | New York, Participatory Theatre, Review, Theatre and Disability, United States of America

To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...

Tim Cowbury’s “The Claim” at Shoreditch Town Hall: Quietly Satirical Account of Political Asylum

Posted by Aleks Sierz | 26th Feb 2020 | London, Review, Theatre and Politics, United Kingdom

Your story. Our story. Their story. Just imagine: you’re a political refugee, and, having...

As Fates Would Have It – What We Learn From Minor Players In Greek Tragedies And Hollywood Films

Posted by Elodie Paillard | 26th Feb 2020 | Essay, Greece, Theatre and Film

Many will be familiar with the looming presence of Oedipus or Antigone in Classical Greek tragedy....

“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations

Posted by Julian De Medeiros | 25th Feb 2020 | London, Review, Theatre and Politics, United Kingdom

There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...

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Latest

The Fundamental Profanation

Haruna Lee’s “Suicide Forest”

“United Queendom”: When Immersive Theatre Meets Historical Reenactment Tour

Sally Abbott’s “I Think We Are Alone” at Theatre Royal Stratford East: Coolly Controlled Study of Loneliness

The Bolshoi Theater School: Only in Russia and… Brazil

Factory 20/20: Five Women, Five Mediums, One Tribute to BausHaus

Chutti Artiste Margi Raveendran Nair’s Make-Up Transforms Kathakali Actors into Characters

An Interview with British Theatre-Maker and Comedian Jess Thom Co-Founder of Touretteshero

Girls to the Front: “Mac Beth” at Hunter Theater Project

Dejan Sretenović on Marina Abramović: “She is a Case Study for Young Performers – to Learn, to Be Brave, to Know Different Genres”

“The Chains:” Dance Theatre Uganda Returns with a Bang!

Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make

Churchill’s “Far Away” at The Donmar Warehouse

Updating “Romeo and Juliet” in a Bid to Fight Prejudice in Japan

Filming in Cunningham’s Footprints

Born Toulouse

Tim Cowbury’s “The Claim” at Shoreditch Town Hall: Quietly Satirical Account of Political Asylum

As Fates Would Have It – What We Learn From Minor Players In Greek Tragedies And Hollywood Films

“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations

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