Review Archives - Page 71 of 143

“Alegría”: The Cirque du Soleil Resurrects the Show that Defined Its Aesthetic

Posted by Alvina Ruprecht | 26th Aug 2019 | Canada, Review, Theatre and Dance

Time has passed and even if Alegría does not capture the in depth artistry brought about by...

“The Boy in the Moon” at the 1000 Islands Theatre: A Moving Story Which Leaves Difficult Questions for the Audience to Ponder.

Posted by Natasha Lomonossoff | 26th Aug 2019 | Canada, Review, Theatre and Disability

A play based on the memoir of Globe and Mail journalist Ian Brown’s experience of bringing up his...

Laughing with a Burnt Heart: Will There Be an End to Hatred?

Posted by Baharak Sahami | 25th Aug 2019 | Iran, Review, Theatre and Politics

A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...

Review of “Gauhar”: A Peep Into a Bygone Era’s History, Emotions and Reality

Posted by Ketaki Datta | 25th Aug 2019 | India, Review, Theatre and Gender

Recently, Tata Steel Kolkata Literary Meet presented us with exquisite production, Gauhar, by the...

Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play

Posted by Aleks Sierz | 24th Aug 2019 | Review, United Kingdom, United States of America

Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...

“Genocide 25”: A Rwandan Generation Learning About 94

Posted by Kaggwa Andrew Mayiga | 23rd Aug 2019 | Producing, Review, Rwanda

The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...

Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”

Posted by Sarah Balking | 23rd Aug 2019 | Australia, Devised Theatre, Review, Theatre and Gender

My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...

“Go Bang Your Tambourine” at The Finborough Theatre

Posted by Aleks Sierz | 22nd Aug 2019 | London, Review, United Kingdom

Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...

My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival

Posted by Donald Brown | 22nd Aug 2019 | Festivals, New York, Review, United States of America

A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...

“Macbeth” at Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America

“They [the Macbeths] have many attributes that we all share in contemporary society, including...

Strands of Sisterhood

Posted by Vikram Phukan | 20th Aug 2019 | India, Review, Theatre and Age, Theatre and Politics

Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...

“Black Hole”: Experiments with Female Representation

Posted by Vikram Phukan | 19th Aug 2019 | India, Review, Theatre and Gender

A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...

Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth

Posted by Aleks Sierz | 18th Aug 2019 | London, Review, United Kingdom

Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...

Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre

Posted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain

The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...

Edinburgh International Festival 2019: “Roots” at Church Hill Theatre

Posted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom

Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...

Inheriting This Earth: “Mojada” at the Public Theater

Posted by James Montaño | 16th Aug 2019 | Review, Theatre and Politics, United States of America

For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...

Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside

Posted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom

Since their first understated but instantly successful visit to Edinburgh in 2008 with their...

“Skin Tight” Stays Tense

Posted by Síofra Ní Shluaghadháin | 15th Aug 2019 | Ireland, New Zealand, Review

Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.

“An Enemy of the People” at Will Geer’s Theatricum Botanicum

Posted by Christine Deitner | 15th Aug 2019 | Los Angeles, Review, United States of America

“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...

“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression

Posted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review

The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...

Review

“Alegría”: The Cirque du Soleil Resurrects the Show that Defined Its Aesthetic

“The Boy in the Moon” at the 1000 Islands Theatre: A Moving Story Which Leaves Difficult Questions for the Audience to Ponder.

Laughing with a Burnt Heart: Will There Be an End to Hatred?

Review of “Gauhar”: A Peep Into a Bygone Era’s History, Emotions and Reality

Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play

“Genocide 25”: A Rwandan Generation Learning About 94

Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”

“Go Bang Your Tambourine” at The Finborough Theatre

My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival

“Macbeth” at Oregon Shakespeare Festival

Strands of Sisterhood

“Black Hole”: Experiments with Female Representation

Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth

Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre

Edinburgh International Festival 2019: “Roots” at Church Hill Theatre

Inheriting This Earth: “Mojada” at the Public Theater

Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside

“Skin Tight” Stays Tense

“An Enemy of the People” at Will Geer’s Theatricum Botanicum

“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression

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