Review Archives - Page 67 of 138

“Skin Tight” Stays Tense

Posted by Síofra Ní Shluaghadháin | 15th Aug 2019 | Ireland, New Zealand, Review

Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.

“An Enemy of the People” at Will Geer’s Theatricum Botanicum

Posted by Christine Deitner | 15th Aug 2019 | Los Angeles, Review, United States of America

“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...

“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression

Posted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review

The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...

Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan

Posted by Yana Meerzon | 11th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Dance, United Kingdom

Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...

Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism

Posted by Yana Meerzon | 10th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics

Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...

Avignon 2019: “Outside” – Between Testimony and Political Provocation

Posted by Yana Meerzon | 8th Aug 2019 | Avignon 2019, Festivals, France, Review, Russia, Theatre and Politics

Provocation – artistic, political, personal – is the signature style of the Russian theatre...

“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate

Posted by Lungile Sojini | 7th Aug 2019 | Adaptation, Review, South Africa

It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...

Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu

Posted by Yana Meerzon | 6th Aug 2019 | Avignon 2019, Festivals, France, Review, United Kingdom

Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...

“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era

Posted by Vikram Phukan | 5th Aug 2019 | India, LGBTQ+ Theatre, Review

Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...

What to Expect at The 2019 Hindu Theatre Fest

Posted by Akhila Krishnamurthy Krishnamurthy | 5th Aug 2019 | Festivals, India, Review

Under the umbrella of The Hindu Theatre Fest that has become synonymous with August in Chennai, a...

Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being

Posted by Yana Meerzon | 4th Aug 2019 | Avignon 2019, Festivals, France, Review

Let me tell you a secret- I love the old good comedy, its extensive gestures, inappropriate jokes,...

Silent Voices’ “Niqabi Ninja”: A Technical Triumph

Posted by Kaggwa Andrew Mayiga | 3rd Aug 2019 | Review, Transmedia, Uganda

Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...

“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker

Posted by Rathsaran Sireekan | 2nd Aug 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics

Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....

Avignon Festival 2019: “L’Amour Vainqueur”

Posted by Yana Meerzon | 31st Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre for Young Audiences

What a delight, a relief and a sheer pleasure to sit through Olivier Py’s operetta for children...

Son of Semele Ensemble and “Men on Boats”

Posted by Christine Deitner | 30th Jul 2019 | Los Angeles, Review, Theatre and Gender, United States of America

Son of Semele Ensemble brings Jaclyn Backhaus’ Men on Boats to Los Angeles audiences with a highly...

Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”

Posted by Yana Meerzon | 29th Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics

Moving along with the themes of history, memory and forgetting – the focus of Paul Ricœur’s famous...

Bade Miyan Deewane: the Enduring Laugh Riot

Posted by Vikram Phukan | 29th Jul 2019 | India, Review, Theatre and Art

Still going strong at more than 80 shows in roughly ten years is Rangbaaz’s Bade Miyan Deewane, an...

Soyinka Meets Shakespeare

Posted by Franklin Ugobude | 28th Jul 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review

One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...

“I Want My Own Sky”: Chinese Migrant Mothers Onstage

Posted by Fan Liya | 28th Jul 2019 | China, Review, Theatre and Gender

The women of Mulan Community Service Center share the stories of their lives as mothers and...

“Queen Moremi The Musical”: Immortalizing a Traditional Legend

Posted by Franklin Ugobude | 27th Jul 2019 | Musical Theatre, Nigeria, Review

The Story of the Little Known Heroine There are a couple of names that are in popular culture...

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Review

“Skin Tight” Stays Tense

“An Enemy of the People” at Will Geer’s Theatricum Botanicum

“Songs of Lear” Performed by The Song of the Goat Theatre: Where Inspiration Meets High Culture With Unrefined Expression

Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan

Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism

Avignon 2019: “Outside” – Between Testimony and Political Provocation

“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate

Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu

“Dance Me to The End of Love” by Mahesh Dattani: Romance for the Millennial Era

What to Expect at The 2019 Hindu Theatre Fest

Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being

Silent Voices’ “Niqabi Ninja”: A Technical Triumph

“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker

Avignon Festival 2019: “L’Amour Vainqueur”

Son of Semele Ensemble and “Men on Boats”

Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”

Bade Miyan Deewane: the Enduring Laugh Riot

Soyinka Meets Shakespeare

“I Want My Own Sky”: Chinese Migrant Mothers Onstage

“Queen Moremi The Musical”: Immortalizing a Traditional Legend

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