“A Few Good Men” at the Pittsburgh Public Theater
Ah, if only we could take a trip back in time, to an era when the surfacing of facts that pointed...
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Review
Back to Somewhere That’s Green: “Little Shop of Horrors” at Boston’s Lyric Stage Company
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
Read More![Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre](https://thetheatretimes.com/wp-content/uploads/2019/10/image-1-627x376.jpg)
Samuel Gallet’s “Mephisto [A Rhapsody]” at the Gate Theatre
What does it really mean to do political theatre? Does the theatre even hold any potential to...
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BoomStick Theater’s “Toxic Avenger: The Musical” on Melrose
Founded in 2018, BoomStick Theater has focused its mission statement on providing a platform for...
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The Enduring Tale Of “Imam-E-Hind”
Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...
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Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at the Royal Court
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
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Czech Centre London Presents: “Velvet Havel”
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
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Michael Frayn’s “Noises Off” at the Garrick Theatre
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
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Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
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A Series of Sensory Experiences
Theatremaker Sujay Saple and sound artist Mitsuaki Matsumoto’s collaboration is all about...
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“The New Canadian Curling Club”: Delightful Immigration Comedy With Deeper Aspirations
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
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Coming-of-age in 2019: “Spring Awakening” at TUTS
Teenagers dealing with sex, suicide, abusive parents, and queer love might not seem like typical...
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“The Unnatural and Accidental Women” in Ottawa
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
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“Burn Her”: Big Themes of Political Intrigue
Distills the Big Themes of Political Intrigue with Insight, Flair, Withering Wit, and a Welcome...
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“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
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Kosmas Politis, “Eroica” by Yolanda Markopoulou
“Heroism is to this decision that you make by yourself, to stick to it until the very...
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Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
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Bill Irwin’s “On Beckett” at the Kirk Douglas Theatre
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
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Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
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