“Harm” at The Bush Theatre
After months (and months) of watching theatre on screens large, medium, small and tiny, I...
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Review
Vikrant Koul Journeys From Stage to The Digital Space
The Hello Mini 3 actor reveals how audience’s applause helped him overcome stage fright. Actor...
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“The Brooklyn Job” Stole My Heart
With a themed cocktail box, a program that doubled as a coloring book, and incredibly performed...
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NEMPAC Opera Project’s “Juneteenth”: Opera in the Key of Freedom
After more than a year of American racial unrest since the high-profile deaths of George Floyd and...
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Theatre in the Time of Protest: “Glass Menagerie” at the Théâtre de l’Odéon
History, as they say, has a habit of repeating itself. When French theatre-makers seized hold of...
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On the Basis of Sustainability: Artemisia Theatre’s “Goods”
“I meant to do something about it, but I didn’t.” So goes the refrain when we, as flawed human...
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Democratizing the Theatre-Making Process: “Six Characters in Search of An Author”
To re-open its season after the lifting of COVID-19-related restrictions, Paris’s Théâtre de la...
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The Personal is Political: Theatre as Therapy in Madrid
The Spanish capital ranks amongst the European cities with the highest mortality rates for...
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About “The Elephant in the Room”
Online performance, streamed instead of attended, has given theatre companies an immense amount of...
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After the Pandemic: Nicola Piovani and the Reopening of the Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre is located in the Forcella quarter of the ancient center of Naples. It...
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“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
A short documentary opening the series entitled Spradyczni artyści (Sporadic Artists, dir....
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“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
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Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre
Can we be in two places at once? Can an event happen online and offline simultaneously? The...
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The Play “Demo” Recreates a Virtual Meet-up
The online performance depicts marriage rituals and interactions in the digital world with a touch...
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How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life
Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....
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Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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“Tarantula” at the Southwark Playhouse
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
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Battery Dance Festival+: Canadian Voices in Dance
In August 2020, Battery Dance shifted its annual Battery Dance Festival to a virtual format. The...
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“La realidad”, Or How to Build Fake News
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
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