Open Online Theatre Invites Its Audience to “Walk Into Space”
IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...
Read MorePosted by Alexander Beeching | 11th Jan 2017 | Devised Theatre, London, Review, Theatre and Dance, Transmedia, United Kingdom
IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...
Read MorePosted by Jack Wernick | 9th Jan 2017 | Adaptation, Festivals, New York, Review, Theatre and Opera, United States of America
Both postmodern tragedy and ageless love story, Lars von Trier’s 1996 film seemed inevitable...
Read MorePosted by Jessica Rizzo | 9th Jan 2017 | Adaptation, Devised Theatre, New York, North America, Review
Reading J. D. Salinger’s 1951 The Catcher in the Rye marks the moment in the lives of countless...
Read MorePosted by Sir Anril Pineda Tiatco | 8th Jan 2017 | Philippines, Puppetry, Review, Theatre and Dance, Worldwide
In celebration of the National Arts Month in February 2017, the University of the Philippines...
Read MorePosted by Aida Rocci | 4th Jan 2017 | Denmark, Immersive Theatre, London, Review, United Kingdom
A lonely corner at night in the London neighborhood of Hackney. A group of strangers meet,...
Read MorePosted by Lola Proaño Gomez | 2nd Jan 2017 | Argentina, Immersive Theatre, Review
The communitarian theatre group Matemurga, from Villa Crespo (Buenos Aires), closed the 2016...
Read MorePosted by Jonathan Kalb | 31st Dec 2016 | New York, Review, Theatre and Politics, United States of America
TRUE: Daniel Craig has real acting chops. If you doubted this because you thought the role of...
Read MorePosted by Lauren Deutsch | 22nd Dec 2016 | Immersive Theatre, Los Angeles, Participatory Theatre, Review, Theatre and Opera, Transmedia
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
Read MorePosted by Andrei Muchnik | 22nd Dec 2016 | Immersive Theatre, Review, Russia, Transcultural Collaborations
Moscow theater, usually receptive to innovative forms, has taken a little while to catch on to the...
Read MorePosted by The Theatre Times | 21st Dec 2016 | Nigeria, Review, Theatre and Politics
A guitar-strumming Kuchi opened the floor with her somewhat hoarse yet unique voice. The strings...
Read MorePosted by Jagyaseni Chatterjee | 21st Dec 2016 | India, Review, Theatre and Dance
That Bharatanatyam is presented as dance drama is not new. Usage of props and costumes like in...
Read MorePosted by Jessica Rizzo | 20th Dec 2016 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Once every four years most Americans sheepishly admit to trusted friends of similar political...
Read MorePosted by Diwan Singh Bajeli | 19th Dec 2016 | India, Review
K. Madavane has directed about 100 plays in English, Hindi, French, and German. His directorial...
Read MorePosted by J Neil Garcia | 18th Dec 2016 | Philippines, Review
Quite possibly, for the inveterate theater-goer, what immediately comes to mind as one sits down...
Read MorePosted by Jonathan Kalb | 15th Dec 2016 | New York, Review, United States of America
Anyone so inclined could find plenty of reasons to carp about The Babylon Line, Richard...
Read MorePosted by Jessica Rizzo | 15th Dec 2016 | New York, Review, United States of America
Chekhov’s Three Sisters is distilled into vibration and iteration in The Hummm, a radical...
Read MorePosted by Lawrence Mashiyane | 15th Dec 2016 | Review, South Africa, Theatre and Dance
The Ntsoana Contemporary Dance Theatre celebrated its tenth anniversary, during the first weekend...
Read MorePosted by Jonathan Kalb | 14th Dec 2016 | New York, Review, United States of America
What a journey Lynn Nottage’s Sweat has had. When this gorgeously incisive play about heartbreak...
Read MorePosted by Kathy Rowland | 13th Dec 2016 | Review, Singapore, Theatre and Gender
In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...
Read MorePosted by Alex First | 13th Dec 2016 | Australia, LGBTQ+ Theatre, Review
Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...
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