“Made in India” by Tamasha Theatre Company Tackles the Subject of Fertility and Surrogacy
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
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Review
“Don Juan in Soho” Featuring David Tennant
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
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David Henry Hwang’s “Chinglish” Premieres in London
There is something strangely genuine and comically truthful about the European première of David...
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“My Country; A Work in Progress” The First Play Explicitly About Brexit
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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Brexit Play Attempts to Break the Bubble
Much has been written over recent months about the apparent bubble in which we are all now living,...
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Hamlet-Inspired “Love in Idleness” at the Menier Chocolate Factory
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
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“The Hairy Ape” at the Park Avenue Armory, NYC
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
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Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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The Transcultural Force of a Chinese-style “Decalogue” in Poland
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
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Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
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Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
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Kama Ginkas’ “The Black Monk”
While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...
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Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic
The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...
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Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”
A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...
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“The Pitchfork Disney” at Shoreditch Town Hall
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
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Love Revolution: The Assembly’s “Home/Sick”
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
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Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
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“My Country; A Work in Progress” – The First Brexit Play at the National Theatre
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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