Monster Mashup: Mabou Mines Takes On Tennessee Williams
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
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Review
Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
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“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
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“A Special Day” by Ettore Scola-Pure Theatrical Plot
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
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“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
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“FCUK’D” at The Bunker Theatre
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
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A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
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“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
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“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
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From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
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“Misalliance” at The Orange Tree Theatre
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
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Review: “An Italian Christmas Carol” Haunts Past And Future
Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...
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Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”
Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...
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Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival
Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...
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Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
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“The Lorax” An Exciting And Transformative Experience For The Whole Family
The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...
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Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
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“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
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