“A Doll’s House” at Circa One
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America
After starting in New York, the storytelling performance made its international debut in Cairo,...
Read MorePosted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read MorePosted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
Read MorePosted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics
The audience members were vocal in their approval from start to finish with Es’kia...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Samah Hijawi | 7th Nov 2017 | Belgium, Palestine, Review, Theatre and Dance, Transcultural Collaborations
KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...
Read MorePosted by Zolima Citymag | 5th Nov 2017 | China, Hong Kong, Review, Switzerland, Theatre and Dance
This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...
Read MorePosted by Letizia Fusini | 5th Nov 2017 | China, Chinese Theatre Abroad, London, Review, Theatre and Opera, United Kingdom
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
Read MorePosted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
Read MorePosted by Anh Vo | 3rd Nov 2017 | Canada, Festivals, Review, Theatre and Dance
Illegibility, Identity, Blackness The lack of black choreographers/ black voices in Contemporary...
Read MorePosted by Sir Anril Pineda Tiatco | 3rd Nov 2017 | Festivals, Philippines, Review, Theatre and Politics
On September 21, 1972, then President Ferdinand Marcos declared Martial Law via Presidential...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
Read MorePosted by Jamie Portman | 1st Nov 2017 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
There are moments in TotoToo’s production of Bent that are as good as anything that this...
Read MorePosted by Jana Perkovic | 1st Nov 2017 | Australia, Festivals, Melbourne, Playwriting, Review
In theatre-making, we often talk about world creation. “What is the world of the play?” teachers...
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