I Saw The Most Remarkable Production Of “Hamlet” I’ve Ever Seen And Did Not Understand A Word Of It
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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Review
Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
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“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
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Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
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“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
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“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
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Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
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Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
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Sally Cookson’s “A Monster Calls” At The Old Vic
There are few subjects as emotionally fraught as the relationship between childhood and death. How...
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Stefano Massini’s “The Lehman Trilogy” At The National Theatre
Images are what make abstract crises concrete. And who can forget the image of the bankrupt Lehman...
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“Alkaline” at The Park Theatre
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...
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Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
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“Red” – An Artist’s Mindmap
When looking forward to seeing a work of art, a certain play or a performance what is our feeling...
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Vicky Jones On Life After “Fleabag” And “The One”: “It’s Based On Something That Happened To Me”
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
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“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
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“One Small Step” At Ice Factory Festival
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
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“Imperium” at The Gielgud Theatre
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
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Brecht Comes Home To Santa Monica With City Garage’s “Arturo Ui”
There are plays that feel timeless because they strike familiar chords and speak to something at...
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“Genesis Inc” at The Hampstead Theatre
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
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