“One The Bear” (La Boite) New Transmedia Storytelling
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Samah Hijawi | 7th Nov 2017 | Belgium, Palestine, Review, Theatre and Dance, Transcultural Collaborations
KVS Theater in Brussels I tend to shy away from western-Arab collaborations. I tend to be...
Read MorePosted by Zolima Citymag | 5th Nov 2017 | China, Hong Kong, Review, Switzerland, Theatre and Dance
This article is brought to you by the Hong Kong Arts Centre With its expansive alpine views, low...
Read MorePosted by Letizia Fusini | 5th Nov 2017 | China, Chinese Theatre Abroad, London, Review, Theatre and Opera, United Kingdom
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
Read MorePosted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
Read MorePosted by Anh Vo | 3rd Nov 2017 | Canada, Festivals, Review, Theatre and Dance
Illegibility, Identity, Blackness The lack of black choreographers/ black voices in Contemporary...
Read MorePosted by Sir Anril Pineda Tiatco | 3rd Nov 2017 | Festivals, Philippines, Review, Theatre and Politics
On September 21, 1972, then President Ferdinand Marcos declared Martial Law via Presidential...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...
Read MorePosted by Jamie Portman | 1st Nov 2017 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
There are moments in TotoToo’s production of Bent that are as good as anything that this...
Read MorePosted by Jana Perkovic | 1st Nov 2017 | Australia, Festivals, Melbourne, Playwriting, Review
In theatre-making, we often talk about world creation. “What is the world of the play?” teachers...
Read MorePosted by Aleks Sierz | 1st Nov 2017 | London, Playwriting, Review, United Kingdom
In Bertolt Brecht’s Life of Galileo (1943), there’s a typically didactic exchange: Andrea, the...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2017 | Adaptation, India, Review
Chandradasan’s adaptation of Shakuntalam, staged at the National School of Drama, had a...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read MorePosted by Jonathan Kalb | 30th Oct 2017 | Acting, Review, United States of America
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
Read MorePosted by Iain Hollingshead | 30th Oct 2017 | London, Musical Theatre, Review, Theatre and Politics, United Kingdom
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
Read MorePosted by S. Ravi | 30th Oct 2017 | Adaptation, India, Review, Theatre and Politics
Based on a short story of Khwaja Ahmad Abbas, Lokesh Jain’s Kala Sooraj Safed Sayee brings the...
Read MorePosted by Donald Brown | 29th Oct 2017 | Adaptation, Review, Theatre and Age, United States of America
The kitchen of an aging spinster in a small town in Texas may be an unlikely place to find...
Read MorePosted by Aleks Sierz | 29th Oct 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
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