Review: Tarragon Theatre’s “Orestes” by Rick Roberts
Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...
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Featured
In Conversation with Hanane Hajj Ali
The occasion of this interview is Hanane Hajj Ali was chosen to receive the 2020 Gilder/Coigney...
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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
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Exploring and Humanizing the Nuances of Black American History Through Theatre: Conversation With Playwright and Actor Stephen Sampson.
Driven by his appreciation for authenticity and history, Stephen Sampson created his theatre...
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About “Living Newspaper”: A Counter Narrative
Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....
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Rangbhoomi Spaces Is Hyderabad’s New Cultural Space
Theatre actor, director, and founder of KissaGo Theatre Group Jay Jha speaks on the hardships...
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Mobile Theatres Begin Their Tours with Cairo’s Al-Asmarat District
The Egyptian Ministry of Culture has announced that its mobile theatre tours began this week, with...
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Mikhail Baryshnikov: A Dancer Whose Flight to Freedom Brought Him Cult Status
Mikhail Baryshnikov is not one to go unnoticed. A true living legend of ballet, he is one of the...
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Kalidasa’s “Vikramorvaseeyam” on Koodiyattam Stage
Venu brought alive the nuances of Kalidasa’s Vikramorvaseeyam at the recent Koodiyattam...
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Our Experiments: How Dakh Theatre Went Digital
An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...
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Expect Revivals and VR from the Stage as Theater Continues to Deal with the Coronavirus
In his 1964 anthem, “The Times They Are A-Changin’,” Bob Dylan sings: “As the present now / Will...
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Music Live Streaming from the Conservatory San Pietro a Majella in Naples
The Conservatory San Pietro a Majella is one of the most important and prestigious musical...
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Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”
Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...
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“I Imagine “Future” as a Hologram Rather Than as a Frozen Marble Sculpture”: An interview with choreographer Galina Borissova
Galina Borissova is a dancer and choreographer, working mainly in the field of modern and...
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Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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In China’s Voguing Houses, Queer Millennials Strike a New Pose
Ballroom culture is quietly flourishing in China’s cities, creating a safe space for young LGBT...
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Death or Re-birth?: On Vicissitudes of the Egyptian Stage During 2020
This year, for theatre and dance artists around the world, it was necessary to convey the message...
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Dramaturgy as “A Poem About The Unknown”: Producing Dance Theatre About the Future During Uncertain Times
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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