A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by Anadolu Agency | 5th Oct 2021 | Festivals, News, Theatre and Opera, Turkey
The 28th iteration of the 28th Aspendos Opera and Ballet Festival, which kicked off on Sept. 4 in...
Read MorePosted by Shilpa Nair Anand | 4th Oct 2021 | Covid-19, India, News
The Thrissur-based collective has been organizing performances in the homes of artists and...
Read MorePosted by Tanya Vasylkevych | 3rd Oct 2021 | Musical Theatre, Review, Russia
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
Read MorePosted by Maria Pia Pagani | 2nd Oct 2021 | Festivals, Interview, Italy
The Real Bosco di Capodimonte is more than a public park in Naples: it is a Paradise, not far from...
Read MorePosted by Tonderai Chiyindiko | 1st Oct 2021 | Review, South Africa, Theatre and Gender
In a normal country, plays like Text Me When You Arrive, which has just ended a short run at the...
Read MorePosted by Trevor Abes | 30th Sep 2021 | Canada, Festivals, Iran, Review
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
Read MorePosted by French Press Agency (AFP) | 29th Sep 2021 | Adaptation, Belgium, Review, Theatre and Opera
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
Read MorePosted by Nobuko Tanaka | 28th Sep 2021 | Interview, Japan, Translation
When Keito Okamoto was offered the title role in French dramatist Florian Zeller’s latest work,...
Read MorePosted by Aleks Sierz | 27th Sep 2021 | Playwriting, Review, Theatre and Politics, United Kingdom
Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...
Read MorePosted by Panni Néder | 26th Sep 2021 | Festivals, Hungary, Interview, Theatre and Politics
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
Read MorePosted by John Freedman | 25th Sep 2021 | News, Russia, Theatre and Art, United Kingdom
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
Read MorePosted by Stefan Dzeparoski | 24th Sep 2021 | Canada, Festivals, News
As the theatre world in Canada and the US anxiously expects the final re-opening of Broadway and...
Read MorePosted by Associated Press | 23rd Sep 2021 | New York, News, Theatre and Politics, United States of America
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
Read MorePosted by Alexander Nderitu | 22nd Sep 2021 | Festivals, Kenya, News
The Kenya Theatre Awards seek to fill these two gaps by tracking and watching all performances in the country and providing data and statistics on the number of venues, performances staged, people watching performances in the country. This will be achieved by the Jury and technical team of the Awards who will work in partnership with theatre venues, producers and theatre companies.
Read MorePosted by Marisa C. Hayes | 20th Sep 2021 | Festivals, France, Review, Theatre and Opera, Transmedia
Does a diva ever really die? It’s a fitting question from the reigning queen of endurance art,...
Read MorePosted by Eslam Omar | 20th Sep 2021 | Adaptation, Egypt, News
By making his 12-year-old dream come true, director Mohmed Abdalla aims to send a message of hope...
Read MorePosted by Lara Cox | 19th Sep 2021 | France, Review, Theatre and Art
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Alexander Nderitu | 18th Sep 2021 | Kenya, News, Playwriting
“We have in essence what could be the most beautiful country in the world, we have great weather, we have friendlier people than I have met travelling elsewhere, and every seven years or so, somebody gives us an order and we sharpen our machetes and putting things alight! For those of us of a certain sensibility, this is stupid and what can we do about it? I knew I didn’t want to be the MP of my rural home area but I could write plays…”
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