“Snapped”: An Ode to Unresolved Grief
I don’t know how to write this. I am on the verge of tears again, the morning after...
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Featured
Shahid Iqbal Khan’s “10 Nights” at the Bush Theatre: Moving Insight into Ritual and Belief
Since 9/11 there has been considerable interest in staging stories about British Muslims, and the...
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“Tanz mit dem Tiger”: A Boundary-breaking Digital Hybrid Dance
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
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Theatre for One: A New Kind of Theatre Experience
Theatre is coming back slowly but surely. Though a difficult medium to translate online, it has...
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Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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A Hyderabad Staging of Alan Ayckbourn’s Dark Comedy “Table Manners”
Storyboard Productions to stage Alan Ayckbourn’s “Table Manners” on September 25 and 26. The dark...
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Fake News and Propaganda Machines: New Theatre Production Pulls “Animal Farm” into the Now
In 1937, George Orwell witnessed a boy whipping a horse. This was a catalyst for his novel Animal...
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Sinking Ship Production’s “A Hunger Artist” in France
Sinking Ship Productions, a company established in 2008 by Jonathan Levin and Josh Luxenberg has...
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Heaven Isn’t Too Far away; It’s in Downtown Houston at TUTS’ “Rock of Ages”
I have to confess something. I haven’t really missed theatre since the Covid-19 pandemic forced...
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Towards Fairer Contractual Practices for Freelance Dramaturgs: A Conversation Facilitated by Catriona Craig
On 21 June 2021, the Dramaturgs Network (a volunteer arts organization by and for dramaturgs...
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A Lady with a Machine Gun
Belarusian theatre hibernated since the notorious events of 2020. The artistic quality of most of...
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From Pygmies to Puppets: What to Do with Roald Dahl’s Enslaved Oompa-Loompas in Modern Adaptations?
The stage adaptation of Charlie and the Chocolate Factory has opened in Brisbane. Charlie, like...
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Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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Cameron Mackintosh’s All-Japanese “Oliver!” Will Have You Asking for More
It was enough for theater fans to learn that after more than 50 years, the Tony Award-winning...
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“These Are Not My Shoes” is Powerful Social Commentary
These Are Not My Shoes is a story about absent fathers and what happens to young men when they...
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In Photos: Large Variety of Performances in Inaugural Eazees Int’l Women’s Theatre Festival
Numerous Egyptian and international theatre plays took part in the inaugural edition of Eazees...
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Hilary Mantel and Ben Miles’s The Mirror and the Light at the Gielgud Theatre: Engaging, but Rather Low Key
This is a labor of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of...
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Tang Kwong-San’s Quest to Understand Hong Kong
When Tang Kwong-san and fellow Hong Kong artist Yuen Nga-chi first visited Tung Ping Chau a few...
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Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”
A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...
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Over 300 Applications Received to Perform in Sharm El-Sheikh Int’l Theatre Festival for Youth
The management of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY) revealed...
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