Theatre as a Social Institution
Theatre institutions or more broadly art institutions have always been the frontline workers in...
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Featured
We Used Performing Arts to Map Out Gender Violence in Sierra Leone. What We Found
It’s been more than two years since Sierra Leone declared a state of emergency over sexual and...
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Ola Rotimi: The Enduring Influence of a Nigerian Theatre Giant
Twenty years after his death, the Nigerian dramatist Ola Rotimi is attracting renewed interest....
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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
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“The Addams Family” Musical: To Know What’s Real
The Addams Family is a musical comedy, with music and lyrics by Andrew Lippa and a book by...
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Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.
This is PART 3 of the interview. To read PART 1 and PART 2, click the links. Tomasz Wiśniewski:...
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Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.
This is Part 2 of the interview. To read Part 1 and Part 3, click the links. Tomasz Wiśniewski:...
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The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon
The last several years in our shared history, particularly the rise of discriminatory legislation,...
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Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.
A zoom conversation conducted on 13th May 2021 as part of the Twelfth Between.Pomiędzy Festival....
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Italian Choreographer Roberto Castello on Dance, Politics and Dance as Labour
During the second edition of the artist-led Mercurio Festival in Palermo, the Italian...
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Lucy McCormick’s “Life: LIVE!” at Battersea Arts Centre
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
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“Divina invención” Love by Lope de Vega and by Sergio Blanco
The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...
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“Hamlet”: A Play That Speaks to Pandemics Past and Present
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
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Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic
Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...
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Beckett, Technology, and Experimentation: Report from the Between.Pomiedzy Festival 2021, Day 4
Day four of the Between.Pomiedzy festival featured Virtual Beckett, the third seminar by the...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal
For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...
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All the TikTok’s a Digital Stage
In the chaotically queer third act of Fake Friends’ 2020 production of Circle Jerk, the...
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Immersion and Spectator Self-Reckoning: “Boxing Shadows” at the Avignon Theatre Festival
One of the highlights of this year’s Avignon Festival was Boxing Shadows, written especially by...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
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Very Genki, Slightly Kitsch, Occasionally Compelling: The Olympic Opening Ceremony Put Humanity in Centre Frame
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
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