“Best of Enemies,” Young Vic
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
Read MorePosted by Aleks Sierz | 14th Jan 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
At the end of the 1960s, American soul poet Gil Scott-Heron said that the revolution will not be...
Read MorePosted by Suzi Elnaggar | 13th Jan 2022 | Covid-19, Dramaturgy, Mexico, Review, United States of America
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
Read MorePosted by Adam Ashraf Elsayigh | 12th Jan 2022 | Review, Theatre and Politics, United States of America
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
Read MorePosted by Athira M | 11th Jan 2022 | Applied Theatre, India, News, Theatre and Gender
The drama series is an initiative for She Radio on Radio Malayalam Mission, Government of Kerala...
Read MorePosted by Narelle Yeo | 10th Jan 2022 | Essay, Musical Theatre, Theatre and Gender, United States of America
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
Read MorePosted by Gowri S | 9th Jan 2022 | India, Interview, Theatre and Politics
Sanjoy Ganguly, pioneer of Theatre of the Oppressed in the country, was recently in Chennai for a...
Read MorePosted by Andrew Maunder | 8th Jan 2022 | Essay, Theatre for Young Audiences, United Kingdom
Head to London’s West End and you are likely to find all sorts of plays for families, inspired by...
Read MorePosted by Natalie Hanna | 7th Jan 2022 | Adaptation, Review, Theatre and Gender, United Kingdom
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
Read MorePosted by Eric Hetzler | 6th Jan 2022 | Acting, Essay, United States of America
So-called method acting seems to be having a moment. Benedict Cumberbatch and Kirsten...
Read MorePosted by Hou Xueqi | 5th Jan 2022 | China, Interview, Theatre and Gender
All the rage in Beijing’s stand-up circuit, Pazilye Parhat says much of comedy stems from...
Read MorePosted by Sonya Suares | 4th Jan 2022 | Musical Theatre, News, United States of America
What did Stephen Sondheim mean to me? This is an attempt to bring order to the chaos. My first...
Read MorePosted by Alexander Fatouros | 3rd Jan 2022 | Boston, Review, Theatre and Art, Transmedia, United States of America
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
Read MorePosted by Sindhu Nagaraj | 2nd Jan 2022 | India, Playwriting, Review, Theatre and Gender
The classic play ‘Dance Like a Man’ captures the subtle undertones found in familial...
Read MorePosted by Tonderai Chiyindiko | 1st Jan 2022 | Review, South Africa, Theatre and Dance
Metsi, staged at the State Theatre is a daring and brave production in how it includes elements of...
Read MorePosted by Aleks Sierz | 31st Dec 2021 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A couple of days ago, I watched a live stream of Milk and Gall, an American-based playwright and...
Read MorePosted by Sakina Mirichii | 30th Dec 2021 | Kenya, Participatory Theatre, Review, Theatre and Disability
Ten mentor Mothers and one Father, devised theatre, drama therapy, healing, and community...
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Tonderai Chiyindiko | 28th Dec 2021 | Musical Theatre, Review, South Africa
Shaka Zulu: The Gaping Wound currently running at the South African State Theatre in Pretoria, and...
Read MorePosted by Praveen Sudevan | 27th Dec 2021 | Adaptation, India, Interview, Transcultural Collaborations
Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
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