Every Detail Counts In “Wot? No Fish!!” At Sydney Festival
During an artist talk just an hour before performing Wot? No Fish!! on Saturday at the Sydney...
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Featured
Moscow’s Oddest Puppet Theater: Ambulances, Shakespeare Menus, And Lilikans
At the Ten’ (Shadow’) puppet theater in Moscow, audiences can watch plays in miniature or...
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Japan’s Theater Scene Begins to Decentralize
Tokyo has long been the center of Japan’s theatre world, but in 2014, that began to change,...
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50 Years with Ariane Mnouchkine’s Théâtre du Soleil
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Interview with Spanish Scenic Designer Jose Luis Raymond
José Luis Raymond is a multi award-winning Spanish Stage Designer, Director, Plastic Artist, and...
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Tena Štivičić’s “3 Winters” At The Royal National Theatre, Reviewed By Evgeniya Yarkova
3 Winters at the Royal National Theatre tells the 60-year story of a Croatian family living in...
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Where Are the Women in French Theater?
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Ridley Scott’s Casting Of White Actors Is Symptomatic Of Larger Problems
Director Ridley Scott recently set off a firestorm when he dismissed those who criticized him for...
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Staging Power: David Williamson’s Portrait Of Citizen Murdoch
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
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“Venus in Furs” at The Budapest English Theatre
Venus in Fur, the collaborative performance of the Budapest English Theatre and the Prague...
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Strange Fates of Shakespeare’s First Folio
The Shakespeare First Folio (1623), the first collected edition of his plays and the sole source...
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“Dangerous Acts Starring The Unstable Elements Of Belarus”: Review By Jesse Kirkwood
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
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The Profound Effect of Russian Plays on Nicola McCartney
This is the second installment in John Freedman’s TheaterPlus video blog, which now appears...
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Pinchgut’s “Iphigénie En Tauride”: A Work Of Pure Theatrical Magic
In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the...
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Comparing New York and Parisian Theatre
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Sasha Dugdale Recalls the Origins of New Drama in Russia
Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...
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China’s “Cherry Orchard”
“Medicine is my lawful wife and literature is my mistress,” said Anton Chekhov (1860-1904), “when...
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A Singing General
The premiere of the opera Coriolanus based on a play by Shakespeare and staged by Vlad Troitsky is...
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Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
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Interview With the Creative Team of “Notes from Underground”
British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...
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