In Search of Identity. Trends in Contemporary Theatre in Romania
Historical Context Twenty‑five years after the fall of the communist regime, the performing arts...
Read More
Featured
“Dark Matter”: An Interview With Lighting Designer Martyn Roberts
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
Read More
Yan Pat-to’s “A Concise History of Future” by Reframe Theatre & Felixism Creation Premiered in Hong Kong
A Concise History of Future, Yan Pat-to’s new Berlin Theatertreffen Stückemarkt award-winning...
Read More
Anthony Burgess’ “A Clockwork Orange” at Park Theatre
There are few modern literary fables that really resonate in the wider culture. And most that do...
Read More
Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
Read More
“Years of Sunlight” at Theatre 503
The new writing year has started slowly. Apart from a couple of obscure fringe shows, there have...
Read More
“Little Emperors” Brings China’s One-Child Policy to the Stage
China’s one-child policy officially ended in 2016. Little Emperors, currently showing at...
Read More
“Dubailand” – A Story About Globalization and Social Justice
Young British writers are often surprisingly unadventurous when it comes to locating their plays...
Read More
“Champion” – Scenes From a Boxer’s Life, A New Opera
In an inviting, Frank Lloyd Wright-designed venue, New Yorkers finally got a sampling of Champion,...
Read More
Death on the Rialto: Wallace Shawn’s “Evening at the Talk House”
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
Read More
Theatre: Moscow’s Acclaimed Sovremennik Theatre Returns To London
Sovremennik Theatre (Russia’s oldest theatre company) makes a welcome return to London this May,...
Read More
Notes On the (Pop) Avant-Garde in China
Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the...
Read More
Roland Schimmelpfennig’s “Winter Solstice” Probes the Lure of Fascism
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
Read More
Interview With Rabih Mroué: Micro-Narratives, The Immediacy Of Time, And Audience Perception
In this interview, Rabih Mroué talks about micro-narratives, the ability of theatre to enact a...
Read More
Theatre Review: Matei Visniec’s “What Shall We Do With The Cello?”–The Self-Versus-Everyone Of The Communist Era
In a way, communism has always been playing on the masses. There are endless things hidden within...
Read More
Karna is Not Black or White but a Mortal: Interview with Bangladeshi director Jayita Mahahlanobish
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
Read More
Theatre Review: Chekhov’s “The Seagull” (Hemar Theatre) At Ognisko Polskie
Ognisko Polskie, the Polish Hearth Club, is an exquisite venue: glistening chandeliers please the...
Read More
“Unknown” Polish Directors: Anna Augustynowicz
This series will introduce Polish directors whose work is recognised in Poland, but they are...
Read More
The Things We Carry: Geoff Sobelle’s “The Object Lesson”
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
Read More
A Report From the 2016 Divine Comedy Festival
The International Divine Comedy Festival (Boska Komedia), in Kraków has grown, over nearly a...
Read MoreLike Us On Facebook
Most Popular Posts
The Queen of Versailles Musical or the Funeral of… 29th October 2025 - “Trilogia Cadela Força – Capítulo II:… 6th August 2025
- FITPTI – International Festival For Young… 31st October 2025
- “Aşınma” (“Corrosion”): A… 23rd November 2025
- The Filmed Performance “Woodland Bird… 9th November 2025
- James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025
