Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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Ponyboy Curtis’ “Vs” at Yard Theatre
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
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Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher
A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...
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Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Celebrating Theatre: Polish Festivals 2017
The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...
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Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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“Anatomy of a Suicide” at The Royal Court Theatre
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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Transmedia Storytelling in the Performing Arts, a New Grammar to be Learned: An Interview with Belén Santa-Olalla
Belén Santa-Olalla has a BA in Media Practice and Theory from Sussex University, Brighton. She...
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Сryout With Precisely Measured Silence
Theater Vinora shows Women’s Voices, performance with elements of storytelling, based on...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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Taking a Ride on a “Red Bike”
Against the roar of asphalt and a set of wheels, a child looks out onto the horizon and tries to...
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“I, Wu Song”: A One-Man Cantonese Opera – Without Songs or Words
Anyone familiar with Chinese opera would recognise the role Kelvin Ng Kwok-wa is playing next....
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“Common:” Difficult To Follow And Nihilistic At The Wrong Time
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and...
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Autotheatre in Poland as a Form of Institutional Critique
During the last two seasons we have been observing a distinctive trend of political theatre that...
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Erich Maria Remarque’s “Three Comrades” (“Drei Kameraden”) by the Sovremennik Theatre
This new tour of the Sovremennik Theatre in London also meant the premiere of Erich Maria...
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Defying “Romeo And Juliet” at The Shakespeare’s Globe
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
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Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
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