“The Blinding Light” at Jermyn Street Theatre
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
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Featured
“The Hungry Ghosts” A Comedy About Addiction
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
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Shakespeare and Decolonization: #ShakespeareMustFall?
The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...
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“Road” at The Royal Court
Some legendary plays are a disappointment when you see them again — they don’t live up to the...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part II
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
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Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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“Lions And Tigers” at Sam Wanamaker Playhouse
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part I
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
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Joe Orton’s “The Loot” Revived at Park Theatre
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His...
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Rob Drummond’s New Solo Show About Democracy – “The Majority” at The National Theatre
Another plague is sweeping British theatre: audience participation. Instead of just sitting back...
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“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
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Kirill Serebrennikov Arrested: The First Two Days
As reported by numerous sources in Russia, director Kirill Serebrennikov was arrested on August 22...
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New Shakespeare’s Globe Director Michelle Terry Promises the Bard Unplugged’
Michelle Terry, the new artistic director of Shakespeare’s Globe, has promised a return to the...
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Chinese Opera Festival: Showcasing Troupes from Across China
Why We Recommend It A series of operas hailing from across China will showcase the diversity and...
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Conversation with Simon Stephens About Teaching Playwriting – Part 2
For Part 1, click here. Ana: I really wanted to interview you because I think what is outstanding...
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Interview With Jin Xing on Drama, Dance, Freedom
Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...
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SummerWorks Round-Up: Cassandra Silver Reviews 6 Shows Closing in Toronto
Review: White Man’s Indian presents a new take on the coming-of-age narrative. Darla Contois’...
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How Does The (Digital) Theatre Of The Future Look Like?
The Field Survey, Part 4: Dreaming What would you like to happen in the (near) future in relation...
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Lucy Kirkwood’s New Drama, “Mosquitoes” at the National Theatre
The question that always needs to be asked of any example of science on stage, and there are now...
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In Conversation With Simon Stephens About Teaching Playwriting – Part 1
As part of the research to write my book The Global Playwriting Workbook (Methuen Drama), I have...
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