Featured Archives - Page 197 of 254

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

Posted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations

To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...

The “KPOP” Invasion in a New American Musical Part I

Posted by Walter Byongsok Chon | 1st Jan 2018 | Essay, Musical Theatre, New York, South Korea, Transcultural Collaborations, United States of America

In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Posted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera

Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...

Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists

Posted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability

Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

Posted by EfeJota Suárez | 30th Dec 2017 | Review, Spain

Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...

“A Special Day” by Ettore Scola-Pure Theatrical Plot

Posted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics

A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

Posted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics

A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...

“FCUK’D” at The Bunker Theatre

Posted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom

Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

Posted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender

Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...

“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language

Posted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics

“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...

Japan’s Theater World Increasingly Shed Its Insularities In 2017

Posted by Nobuko Tanaka | 28th Dec 2017 | Festivals, Japan, News, Producing

Never mind those North Korean missiles that provide politicians with heaven-sent pretexts to...

“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

Posted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom

There are some shows that can simply never be made by men. I don’t mean in the sense of subject...

From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art

Posted by Lauren Dubowski | 27th Dec 2017 | Design, Italy, Poland, Review, Theatre and Art

Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...

“Misalliance” at The Orange Tree Theatre

Posted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom

George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...

Manuel Pelmus Examines The Performance Art Of Hong Kong Protest

Posted by Zolima Citymag | 26th Dec 2017 | China, Hong Kong, News, Theatre and Dance, Theatre and Politics

When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...

The Journey Ahead, Accessible Theatre

Posted by Hannah Treadaway | 26th Dec 2017 | News, Theatre and Disability, United Kingdom

As we’re coming towards the New Year, I’ve been reflecting on 2017. I’ve recently been a resident...

Review: “An Italian Christmas Carol” Haunts Past And Future

Posted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review

Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Posted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations

South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Posted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America

It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...

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Featured

Monster Mashup: Mabou Mines Takes On Tennessee Williams

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

The “KPOP” Invasion in a New American Musical Part I

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

“A Special Day” by Ettore Scola-Pure Theatrical Plot

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language

Japan’s Theater World Increasingly Shed Its Insularities In 2017

“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art

“Misalliance” at The Orange Tree Theatre

Manuel Pelmus Examines The Performance Art Of Hong Kong Protest

The Journey Ahead, Accessible Theatre

Review: “An Italian Christmas Carol” Haunts Past And Future

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

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