Rollercoaster Ride of the Now in “Building The Wall”
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
Read MorePosted by Jack Wernick | 2nd Jun 2017 | New York, Review, Theatre and Politics, United States of America
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
Read MorePosted by Aida Rocci | 1st Jun 2017 | Immersive Theatre, London, Review, United Kingdom
“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...
Read MorePosted by Walter Byongsok Chon | 30th May 2017 | Dramaturgy, Interview, South Korea, Transcultural Collaborations
Walter Byongsok Chon is an assistant professor of dramaturgy and theatre studies at Ithaca...
Read MorePosted by Aleks Sierz | 30th May 2017 | Adaptation, Review, United States of America
This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon at the Orange Tree...
Read MorePosted by Alice Jones | 29th May 2017 | London, Review, Theatre and Politics, United Kingdom
Paul Mason has been expanding his portfolio of late. The former economics editor of Channel 4 News...
Read MorePosted by Christine Wahl | 28th May 2017 | Festivals, Germany, Interview
An interview with Dorothea Marcus and Till Briegleb, two jury members of the Berlin Theatre...
Read MorePosted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
Read MorePosted by Jack Wernick | 26th May 2017 | Interview, New York, Playwriting, Theatre and Politics, United States of America
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
Read MorePosted by Cheng-Han Wu | 25th May 2017 | Boston, Directing, Interview, United States of America
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
Read MorePosted by Jiayi Wei | 25th May 2017 | China, Review, Transcultural Collaborations
An American Director and His Chinese Actors Tackle Contemporary German Theatre in Shanghai
Read MorePosted by Michael Segalov | 23rd May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
Read MorePosted by Jessica Barrett | 23rd May 2017 | London, Review, Theatre and Dance, United Kingdom
Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...
Read MorePosted by Alice Jones | 22nd May 2017 | Acting, London, Review, United Kingdom
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Andreea Scridon | 21st May 2017 | Review, Romania, Theatre and Politics
Marin Sorescu’s Jonah was originally published in 1968 and is considered the playwright’s...
Read MorePosted by Holly Williams | 20th May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
Read MorePosted by Aleks Sierz | 20th May 2017 | Adaptation, London, Review, United Kingdom
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
Read MorePosted by Emily Goodling | 19th May 2017 | Essay, Germany, Theatre and Politics
Since 2015, over one million refugees have entered Germany. As a political event, the so-called...
Read MorePosted by The Theatre Times | 19th May 2017 | News, Russia, Theatre and Dance
The Boris Eifman Ballet Theater kicks off a new tour in the U.S. and Canada on May 11, and will...
Read MorePosted by Lauren Dubowski | 17th May 2017 | News, Poland
The Polish Theatre in Poznan / The Jewish Theatre in Warsaw The Painted Bird, based on a novel by...
Read MorePosted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
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