Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
Read MorePosted by Julia Rybina and Anastasiya Karagodina for Russia Beyond Headlines | 1st May 2017 | Essay, Puppetry, Russia
It is natural for humans to animate and anthropomorphize anything they touch. Puppetry is a...
Read MorePosted by Aleks Sierz | 30th Apr 2017 | Review, United Kingdom
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...
Read MorePosted by Zolima Citymag | 30th Apr 2017 | China, Hong Kong, Review, Theatre and Opera
When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...
Read MorePosted by Izabela Szymańska | 30th Apr 2017 | News, Poland, Theatre and Dance
Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...
Read MorePosted by Rachel E. Diken | 29th Apr 2017 | New York, Review, United States of America
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by Barbara Behrendt | 28th Apr 2017 | Acting, Germany, Interview
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
Read MorePosted by Andrew Edwards | 27th Apr 2017 | Dramaturgy, Interview, Scotland, Theatre for Young Audiences, United Kingdom
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
Read MorePosted by Jessica Rizzo | 26th Apr 2017 | New York, Review, United States of America
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
Read MorePosted by The Theatre Times | 24th Apr 2017 | Argentina, Interview, Poland, Polish Theatre Abroad, Theatre and Opera, Transcultural Collaborations
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
Read MorePosted by Aleks Sierz | 24th Apr 2017 | Review, Theatre and Politics, United Kingdom
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, Theatre and Gender, United Kingdom
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
Read MorePosted by Aleks Sierz | 23rd Apr 2017 | Review, United Kingdom
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
Read MorePosted by Veronica Stewart | 20th Apr 2017 | Argentina, Directing, Interview
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
Read MorePosted by Margaret Drummond | 17th Apr 2017 | Review, Romania
What do we mean by “home?” This is the central question posed by Romanian playwright...
Read MorePosted by Aleks Sierz | 17th Apr 2017 | Review, United Kingdom
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
Read MorePosted by Aleks Sierz | 16th Apr 2017 | Review, Theatre and Gender, United Kingdom
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Sun Xiaoxing | 13th Apr 2017 | China, Essay, Transmedia
Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...
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