Featured Archives - Page 181 of 253

Reinventing Shakespeare In Chinese And Sinophone Theatres

Posted by Alexa Alice Joubin | 18th Apr 2018 | China, Essay, Hong Kong, Taiwan

Along with a number of Japanese and Western canonical poets and writers, Shakespeare and his works...

Thou Art Translated! How Shakespeare Went Viral

Posted by Alexa Alice Joubin | 18th Apr 2018 | Adaptation, Essay, Translation, Worldwide

In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...

The Theatre Form, Yakshagana, Involves All-Night Plays As Offerings To A Deity

Posted by Raviprasad Kamila | 17th Apr 2018 | Festivals, India, News

For six straight months every year, a tiny village comes alive with all-night Yakshagana. A...

“Plastic” at the Old Red Lion Theatre: On Teenage Love and Tragedy

Posted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom

Many years ago, your time at school might even have been some of the happiest days of your...

Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship

Posted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics

Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...

“Without Damage” Gets A Ground-Breaking Debut At Egypt’s D-CAF

Posted by Daily News Egypt | 17th Apr 2018 | Egypt, Immersive Theatre, Review, Theatre and Dance

People may or may not be familiar with contemporary art, but it involves no damage to the audience...

King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison

Posted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom

Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...

Towards An Inclusive Stage…

Posted by S. Ravi | 16th Apr 2018 | Festivals, India, Interview

Starting today, the 13th edition of META Festival brings to theatre lovers diverse plays from all...

Boheme and Beer: an Unconventional Production by Boston Opera Collaborative

Posted by Kristin Tomecek | 15th Apr 2018 | Boston, Review, Theatre and Opera

Audiences found themselves amidst fermentation vessels and set dressings alike this past Thursday...

Field Guide To Estonian Theatre Audiences

Posted by Liisa Pool | 15th Apr 2018 | Essay, Estonia

Estonians are among the least religious people in Europe, however, one can assert without a shadow...

“Dark Dunedin: Heaven Looks On” Excavating Layers Of The Real And The Imagined

Posted by Hilary Halba | 14th Apr 2018 | Festivals, Immersive Theatre, New Zealand, Review, Transmedia

An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...

“Miss You Like Hell”: New York Premiere Musical

Posted by The Theatre Times | 14th Apr 2018 | Musical Theatre, New York, Review, United States of America

There’s no curtain to create the traditional pomp and circumstance of American theatre. The stage...

Love, Death And Soviet Spies: Boston Playwrights’ Theatre Stages Its First Opera, “The Rosenbergs”

Posted by Keith Powers | 13th Apr 2018 | Boston, Denmark, News, Theatre and Opera, United States of America

It was like the Dreyfus Affair. The Sacco-Vanzetti Trial. Any of those singular moments in history...

Towards Cultural Access And Participation In Portugal

Posted by Maria Vlachou | 13th Apr 2018 | Essay, Portugal, Theatre and Disability

You can also read this article in French. IETM will host its forthcoming Plenary meeting in Porto,...

A Disturbingly, Yet Fascinating Vision Of A “What If” Scenario Of Human Test Subjects

Posted by Joe Szekeres | 13th Apr 2018 | Canada, Review

The Story (From the press release) Two subjects, Corcoran and Filigree, are imprisoned in a human...

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

Posted by Alvina Ruprecht | 12th Apr 2018 | Canada, Review

Betroffenheit (consternation, a state of shock, dismay) a co-production by Kidd Pivot Company and...

What It’s Like To Be A Female Fight Director

Posted by Kate Youde | 12th Apr 2018 | Interview, Stage Combat, Theatre and Gender, United Kingdom

“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...

“Carousel” is Revived on Broadway, Ill-Timed and Ill-Equipped

Posted by Michael Appler | 12th Apr 2018 | Musical Theatre, New York, Review, United States of America

There is magic in this production, though it is Broadway magic arguably used for ill.

“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance

Posted by Natasha Lomonossoff | 11th Apr 2018 | Canada, Review, Theatre and Dance

Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon...

Can Art Truly Thrive In Hyper-Commercial Hong Kong?

Posted by Zolima Citymag | 11th Apr 2018 | Essay, Hong Kong, Theatre and Art

A throng of reporters circled Kristine Li at the officiating ceremony of H Queen’s, a gleaming new...

Featured

Reinventing Shakespeare In Chinese And Sinophone Theatres

Thou Art Translated! How Shakespeare Went Viral

The Theatre Form, Yakshagana, Involves All-Night Plays As Offerings To A Deity

“Plastic” at the Old Red Lion Theatre: On Teenage Love and Tragedy

Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship

“Without Damage” Gets A Ground-Breaking Debut At Egypt’s D-CAF

King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison

Towards An Inclusive Stage…

Boheme and Beer: an Unconventional Production by Boston Opera Collaborative

Field Guide To Estonian Theatre Audiences

“Dark Dunedin: Heaven Looks On” Excavating Layers Of The Real And The Imagined

“Miss You Like Hell”: New York Premiere Musical

Love, Death And Soviet Spies: Boston Playwrights’ Theatre Stages Its First Opera, “The Rosenbergs”

A Disturbingly, Yet Fascinating Vision Of A “What If” Scenario Of Human Test Subjects

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

What It’s Like To Be A Female Fight Director

“Carousel” is Revived on Broadway, Ill-Timed and Ill-Equipped

“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance

Can Art Truly Thrive In Hyper-Commercial Hong Kong?

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