Sitting With Amanda Parris’ “Other Side Of The Game”
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MorePosted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MorePosted by Kate Beswick | 20th Nov 2017 | News, Theatre and Art, United Kingdom
The music video for grime artist Skepta’s award-winning single Shut Down is shot in the concrete...
Read MorePosted by Gary Shipton | 20th Nov 2017 | Festivals, London, Playwriting, Review, United Kingdom
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
Read MorePosted by Aleks Sierz | 20th Nov 2017 | Adaptation, London, Review, United Kingdom
The Second World War is central to our national imagination, yet it has been oddly absent from our...
Read MorePosted by Aleks Sierz | 19th Nov 2017 | London, Playwriting, Review, United Kingdom
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
Read MorePosted by Joe Turnbull | 19th Nov 2017 | London, News, Theatre and Dance, Theatre and Disability
Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...
Read MorePosted by Sebanti Sarkar | 19th Nov 2017 | India, Playwriting, Review, Theatre and Politics
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
Read MorePosted by Jane Baldwin | 19th Nov 2017 | Adaptation, France, Review, Theatre and Politics
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
Read MorePosted by Trevor Boffone | 18th Nov 2017 | News, Producing, Theatre and Politics, United States of America
When I founded the 50 Playwrights Project the last thing I wanted to do was produce live theatre....
Read MorePosted by Elle Kwan | 18th Nov 2017 | China, Review, Theatre and Dance, Theatre and Gender
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by Kristin Tomecek | 17th Nov 2017 | Boston, Festivals, Review, Theatre and Opera, United States of America
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
Read MorePosted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
Read MorePosted by David Paulk | 15th Nov 2017 | China, News, Theatre and Disability
Director of Don’t Be Afraid, Cancer Companions hopes drama project will give survivors confidence...
Read MorePosted by Barbara Hatley | 15th Nov 2017 | Australia, Festivals, Indonesia, Melbourne, News, Participatory Theatre, Theatre and Politics, Transcultural Collaborations
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
Read MorePosted by Barbara Hatley | 14th Nov 2017 | Asia, Australia, Festivals, Indonesia, Melbourne, News, Transcultural Collaborations
This is the first in a two-part series by Barbara Hatley. Read Part 2 here. Indonesian...
Read MorePosted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview, Participatory Theatre
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
Read MorePosted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
Read MorePosted by Diwan Singh Bajeli | 13th Nov 2017 | Festivals, India, Playwriting, Review
This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...
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