“Masterpieces” at The Finborough Theatre
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Diane de Beer | 17th May 2018 | Review, South Africa, Transcultural Collaborations
The provocative one-hander Womb Of Fire by The Mothertongue Project recently had a three-week run...
Read MorePosted by Janelle Lawrence | 17th May 2018 | Festivals, New York, Review, United States of America
Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Joe Szekeres | 17th May 2018 | Canada, Review
The Story: In this English language world premiere of Quebec playwright Philippe Ducros, a man,...
Read MorePosted by Alex Finnis | 16th May 2018 | London, Musical Theatre, News, Puppetry, United Kingdom
London’s fatberg–the giant mass of congealed fat and disposed items like nappies and sanitary...
Read MorePosted by Adam Sherwin | 16th May 2018 | London, News, Theatre and Opera, United Kingdom
The English National Opera has promised that the world premiere of a new opera about Jack the...
Read MorePosted by Aleks Sierz | 16th May 2018 | Acting, London, Playwriting, Review, United Kingdom
The good news about so-called black drama on British stages is that it has broken out of its...
Read MorePosted by Duška Radosavljević | 15th May 2018 | Belgium, London, Review, Theatre and Age, Theatre and Politics, United Kingdom
It’s not often that a children’s theatre features a piece about a pedophile and child...
Read MorePosted by The Theatre Times | 15th May 2018 | Devised Theatre, New York, Review, Transmedia, United States of America
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
Read MorePosted by Jessica Hinds-Bond | 14th May 2018 | News, Russia, Russian Theatre Abroad
Stage Russia, now in its second season of bringing filmed performances of contemporary Russian...
Read MorePosted by Hayley Malouin | 14th May 2018 | Canada, Review
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
Read MorePosted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
Read MorePosted by Aleks Sierz | 14th May 2018 | Acting, LGBTQ+ Theatre, London, Playwriting, Review, Theatre and Politics, United Kingdom
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Yulia Shamporova | 13th May 2018 | Immersive Theatre, Interview, Russia
Immersive performances are something relatively new for theater-goers around the globe. What are...
Read MorePosted by Noah Riseman | 13th May 2018 | Australia, LGBTQ+ Theatre, Review, Theatre and Gender
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by Jane Baldwin | 13th May 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
Read MorePosted by Yulia Shamporova | 12th May 2018 | News, Russia, Russian Theatre Abroad
There is enormous variety when it comes to Russian theatre shows. Russia Beyond has compiled a...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom
In the 2000s one of the many glories of new writing for British stages was the linguistically...
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