Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
Read MorePosted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
Read MorePosted by Alice Jones | 25th Aug 2018 | Festivals, Review, United Kingdom
Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...
Read MorePosted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
Read MorePosted by Nobuko Tanaka | 24th Aug 2018 | Interview, Japan, Playwriting
When he was 16, Hideto Iwai was perplexed as to why everyone around him unquestioningly jumped...
Read MorePosted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
Read MorePosted by Vikram Phukan | 23rd Aug 2018 | India, Interview, Japan, Transcultural Collaborations
Passing through Mumbai last week was Japanese composer Yasuhiro Morinaga. Arts aficionados in...
Read MorePosted by Nobuko Tanaka | 23rd Aug 2018 | Japan, News
When the circus comes to town in most parts of the world these days, you won’t see elephants,...
Read MorePosted by Sandra D'urso | 22nd Aug 2018 | Belarus, Review, Theatre and Politics
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
Read MorePosted by Vikram Phukan | 22nd Aug 2018 | Festivals, India, News, Playwriting
The second edition of the Sanchita Manch fest will feature three new original plays Entering its...
Read MorePosted by Alice Jones | 21st Aug 2018 | Festivals, Review, United Kingdom
Jon Harvey Assembly George Square Theatre ★★★★ In a stuffy Portakabin tucked around the back of...
Read MorePosted by Aleks Sierz | 21st Aug 2018 | London, Playwriting, Review, United Kingdom
The Dark Web has an intriguing sound about it. Like something out of JRR Tolkien or JK Rowling, it...
Read MorePosted by Bahar Karlıdağ | 19th Aug 2018 | Essay, Playwriting, Turkey
Turkish poet, playwright, and novelist Nazim Hikmet spent a life in exile condemning fascism, its...
Read MorePosted by Aleks Sierz | 18th Aug 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...
Read MorePosted by Walter Byongsok Chon | 18th Aug 2018 | Adaptation, Festivals, Interview, South Korea
Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...
Read MorePosted by Clement Lee | 17th Aug 2018 | Design, Germany, Hong Kong, News
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
Read MorePosted by Michael Evans | 17th Aug 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
Read MorePosted by Patrick Langston | 16th Aug 2018 | Canada, Festivals, News
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
Read MorePosted by Sarah Roberts | 16th Aug 2018 | News, Participatory Theatre, South Africa
A slim, well-thumbed paperback volume occupies a special place on my bookshelf. Its spine is torn...
Read MorePosted by Yin Yijun | 15th Aug 2018 | China, Interview, Theatre and Art
Cai Guoqiang is known for his explosive works, but the Chinese artist is now going back to his...
Read MorePosted by Jacqui Somerville | 15th Aug 2018 | Australia, Review, Theatre and Gender
The three-women chorus in this energizing, thought-provoking and very well written and acted piece...
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