Nostalgia on Parade: “White Christmas” on Tour in Boston
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Waldemar Raźniak | 27th Dec 2019 | Festivals, Review, Russia
It’s in our laugh and in our tears And in the pulsation of our veins Change! We are longing...
Read MorePosted by Merényi Ágnes | 26th Dec 2019 | Hungary, Interview, Theatre and Religion
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
Read MorePosted by Nobuko Tanaka | 26th Dec 2019 | Directing, Interview, Japan
The starting point for Dr. Hoffmann’s Sanatorium was, according to the play’s Japanese creator,...
Read MorePosted by Katarzyna Waligóra | 25th Dec 2019 | Acting, Poland, Puppetry, Review
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
Read MorePosted by Wendy Arons | 25th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The title of Jocelyn Bioh’s School Girls; or, The African Mean Girls Play tells you a certain...
Read MorePosted by Achuthan T K | 24th Dec 2019 | Acting, India, Interview
Peesappilly Rajeevan talks about his artistic journey, the state of Kathakali today and what needs...
Read MorePosted by Wendy Arons | 24th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Allow me to introduce you to the fierce yet fragile preteens who populate Clare Barron’s savagely...
Read MorePosted by Wendy Arons | 23rd Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, Theatre and Politics, United States of America
After he won the World Heavyweight Championship by roundly defeating Sonny Liston on February...
Read MorePosted by Aleks Sierz | 22nd Dec 2019 | London, Review, United Kingdom
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade....
Read MorePosted by Jonathan Kalb | 22nd Dec 2019 | Germany, Review, United Kingdom, United States of America
Two years ago, the British director Richard Jones brought a stunning production of Eugene...
Read MorePosted by Maciej Guzy | 21st Dec 2019 | Poland, Review, Theatre and Politics
Like two other plays that premiered this year, Agata Siniarska’s You Are Safe, and The Last One...
Read MorePosted by Nobuko Tanaka | 21st Dec 2019 | Directing, Japan, News
Shuntaro Matsubara’s first contact with live theatre was in 2014, when he saw a production of...
Read MorePosted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
Read MorePosted by Julian De Medeiros | 20th Dec 2019 | London, Musical Theatre, Review, United Kingdom
Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an...
Read MorePosted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
Read MorePosted by Ella Parry-Davies | 19th Dec 2019 | Immersive Theatre, Lebanon, News, Theatre and Politics, Transmedia, United Kingdom
I’m not apologizing: this is going to take time. Visit a website. Choose an image: of a bag of...
Read MorePosted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom
How far can bodily interaction amongst the audience members, with performance objects, and with...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
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