Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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Interview
Conversation with Mauricio Kartún, Argentinian Playwright and Director
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
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Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
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A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
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An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
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A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
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Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
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Theatre and Life of Antonio Latella in a Book-Interview by Emanuele Tirelli
Antonio Latella is one of the leading figures of Italian theater, having worked, as an actor, with...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
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Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
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Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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“Dark Matter”: An Interview With Lighting Designer Martyn Roberts
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
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Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
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Interview With Rabih Mroué: Micro-Narratives, The Immediacy Of Time, And Audience Perception
In this interview, Rabih Mroué talks about micro-narratives, the ability of theatre to enact a...
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Karna is Not Black or White but a Mortal: Interview with Bangladeshi director Jayita Mahahlanobish
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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