An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
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Interview
The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
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Newborn: Talk with Wojtek Markowski
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
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A Conversation About Movement, Nationalism, And Collectivity
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
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Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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At The Intersection Of Disabled And Working Class, An Interview With Jackie Hagan
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
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Apothetae And Lark National Convening: Five Conversations About Disability And Theater
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
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Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
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Interview With Fanny Gautier: Exit(o) Madrid
Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...
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A Closer Look: The Russia/U.S. Playwright Exchange
On October 6 and 7, 2017, The Lark hosted The Russia/U.S. Playwright Exchange, in partnership with...
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An Interview with Graham Schmidt: Bringing Russian Theatre To U.S. Audiences
An interview with Graham Schmidt, artistic director of Austin’s Breaking String Theater....
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Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School
Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part II
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
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Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part I
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
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“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
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Conversation with Simon Stephens About Teaching Playwriting – Part 2
For Part 1, click here. Ana: I really wanted to interview you because I think what is outstanding...
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Interview With Jin Xing on Drama, Dance, Freedom
Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...
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