“No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture”
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
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Interview
In Memoriam: Robert Blacker Looks at the Past And Future of American Dramaturgy
Robert Blacker, Interviewed by Jacob Gallagher-Ross This interview was originally published in...
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Anthony Wong in Theatre and Indie Films
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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Which Theatre Style Connects With You the Most, Asks Deepro Roy’s New Play
In his play Azad Theatre, Deepro Roy uses a singular set as the backdrop to spar a debate on two...
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“Passengers”: Nostalgia, Circus, and Finding Human Connection.
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
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The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
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Interview with Plasticiens Volants
In August and September, the street theater collective Plasticiens Volants (PV) return...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
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Deepan Sivaraman on Going Beyond Words to Embrace The Visual Language of Theatre
The ace director has often faced flak from traditionalists. For well over a decade now, Deepan...
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“Uprootedness Is Not Always Negative”: Nalini Malani
Nalini Malani has won the prestigious Joan Miró Prize for 2019, and she talks of her journey. One...
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Tiffany Mann on Feeling Empowered By Her Work in Broadway’s “Be More Chill”
Tiffany Mann is currently co-starring in Be More Chill at the Lyceum Theatre, one of the most...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
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Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
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Co-Translating Hanoch Levin, The “Beckett of Israel”: A Conversation With Jessica Cohen & Evan Fallenberg
Although Hanoch Levin (1943–1999) is arguably Israel’s most important playwright, his work is...
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On The Magic of Cirque du Soleil: Conversation With the Members of “Corteo”
To audiences around the world, Cirque du Soleil is a must-see entertainment with mesmerizing...
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Director Annie Tippe on Directing “Octet,” a Musical About Online Addiction
Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...
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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”
Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...
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“Tale of the Lion King” at Disney California Adventure Park – An Interview with Creative Director, Susana Tubert
Visitors to Disney California Adventure Park should be sure to check their schedules and make time...
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