Edinburgh International Festival 2023: “Trojan Women” By The National Theatre Of Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
Read MoreDuška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.
Posted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Review, Scotland, South Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
Read MorePosted by Duška Radosavljević | 26th Jun 2023 | Review, Sweden
Laurie Anderson’s new show – currently on its European tour – is full of meteorological...
Read MorePosted by Duška Radosavljević | 6th Apr 2023 | Adaptation, Denmark, Musical Theatre, Review
It’s about two years since I moved to the Oresund region, the liminal place between southern...
Read MorePosted by Duška Radosavljević | 5th Dec 2022 | Adaptation, Musical Theatre, Review, Sweden
There is a palpable sense of world-class musicianship as the ensemble of six instrumentalists and...
Read MorePosted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
Read MorePosted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
Read MorePosted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
Read MorePosted by Duška Radosavljević | 24th May 2022 | Adaptation, Immersive Theatre, London, Review, United Kingdom
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
Read MorePosted by Duška Radosavljević | 19th May 2022 | Adaptation, Netherlands, Review, United Kingdom
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Duška Radosavljević | 8th Sep 2021 | London, Review, United Kingdom
Imagine you suffered terrible injustices that in your day and age were just the norm, that your...
Read MorePosted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Duška Radosavljević | 5th Aug 2021 | London, Musical Theatre, Review, United Kingdom
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
Read MorePosted by Duška Radosavljević | 15th May 2020 | Covid-19, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay
This article is part of the Dramaturgs’ Network Invisible Diaries series. Woke up today to...
Read MorePosted by Duška Radosavljević | 13th Feb 2020 | London, Review, Transmedia, United Kingdom
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
Read MorePosted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
Read MorePosted by Duška Radosavljević | 13th Sep 2019 | Review, United Kingdom
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
Read MorePosted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
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