Cambodia is an Inspiration for the Healing Power of Art After a Crisis
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
Read MorePosted by François Audet, Alexandre P. Bédard, and Caroline Coulombe | 17th Nov 2020 | Cambodia, Essay, Theatre and Art
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
Read MorePosted by The Theatre Times | 16th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
Read MorePosted by Capital Critics Circle | 16th Nov 2020 | Festivals, France, News
IRET days in Avignon Biannual event since 2015 bringing together IRET researchers, doctoral...
Read MorePosted by Olga Katafiasz | 16th Nov 2020 | Essay, Festivals, Poland, Theatre for Young Audiences, Transmedia
When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked...
Read MorePosted by Magda Romanska | 15th Nov 2020 | Essay, Los Angeles, Theatre and Disability, United States of America
The #MeToo and Black Lives Matter movements have forced Hollywood and other artists and filmmakers...
Read MorePosted by Rhiannon Ling | 15th Nov 2020 | Covid-19, New York, Review, Theatre and Politics, United States of America
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by Attila Réthly | 14th Nov 2020 | Hungary, Theatre for Young Audiences, Youth Theatre - A Casebook
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
Read MorePosted by Nobuko Tanaka | 14th Nov 2020 | Covid-19, Festivals, Japan, News, Transcultural Collaborations, Transmedia
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Edmund John Collins | 13th Nov 2020 | Essay, Ghana, Theatre and Politics
Towards the end of the Kwame Nkrumah era in 1966, a number of highlife artists wrote songs...
Read MorePosted by Anthony Uhlmann | 13th Nov 2020 | Australia, Review, Sydney, Theatre and Age
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
Read MorePosted by János Antal Horváth | 12th Nov 2020 | Hungary, Theatre for Young Audiences, Youth Theatre - A Casebook
As the generation known by the final letters of the alphabet continues to grow up and become...
Read MorePosted by Wieke Ten Cate | 11th Nov 2020 | Essay, Netherlands, Theatre for Young Audiences, Youth Theatre - A Casebook
As a documentary theatre maker, I am typically interested in individuals and characters whom I...
Read MorePosted by Jacinthe Flore, Averyl Gaylor, and Natalie Hendry | 11th Nov 2020 | Australia, Covid-19, Essay
The arts industry is among the most devastated by the pandemic. Artists and arts workers often...
Read MorePosted by Heidi Wiley and Serge Rangoni | 11th Nov 2020 | Festivals, Theatre for Young Audiences, Youth Theatre - A Casebook
It’s now June 2020. In most European countries, the first wave of Covid-19 has started to slow...
Read MorePosted by Amelia Parenteau | 10th Nov 2020 | France, Interview, Theatre and Politics
Conversation with the two authors Charlotte Boimare and Magali Solignat, co-writers of the...
Read MorePosted by Michael Schweikardt | 10th Nov 2020 | Design, Review, Transmedia, United States of America
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
Read MorePosted by Leigh Boucher | 9th Nov 2020 | Australia, Playwriting, Review, Sydney
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
Read MorePosted by Saurabh Trivedi | 8th Nov 2020 | Covid-19, India, News
Owners hopeful of bouncing back to business during the coming festival season After staying shut...
Read MorePosted by Kristina Watt | 8th Nov 2020 | Canada, Interview, Theatre and Politics, Theatre for Young Audiences
Over the past two years, I have had the privilege of inviting a group of teenagers in Canada, ages...
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