“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
Read MorePosted by Leah Jane Esau | 16th Jul 2018 | Canada, Review, Theatre and Politics
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
Read MorePosted by Simon Callow | 15th Jul 2018 | Books, Essay, Playwriting, United Kingdom
Peggy Ramsay (1908-1991) was the foremost play agent of her time. Her list of clients shows her to...
Read MorePosted by Andreea S. Calude, Laura Haughey, and Kellye Bensley | 15th Jul 2018 | Essay, New Zealand, Theatre and Disability
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
Read MorePosted by Kasia Lech | 14th Jul 2018 | Festivals, News, Poland, Polish Theatre Abroad
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
Read MorePosted by Maria João Guardão | 14th Jul 2018 | Essay, Participatory Theatre, Portugal
This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...
Read MorePosted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read MorePosted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
Read MorePosted by Christine Deitner | 12th Jul 2018 | Los Angeles, Review, Translation, United States of America
There are plays that feel timeless because they strike familiar chords and speak to something at...
Read MorePosted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
Read MorePosted by Jamie Portman | 11th Jul 2018 | Canada, Festivals, Review
STRATFORD—We find ourselves immediately plunged into the opening shipwreck scene: sails flapping...
Read MorePosted by Omar Aladin and Mariam Barakat | 11th Jul 2018 | Egypt, Festivals, France, News
Managed by Ahmed El-Attar, the Arab Arts Focus program features artists from across the Arab...
Read MorePosted by Nobuko Tanaka | 11th Jul 2018 | Directing, Japan, News, Playwriting
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Diwan Singh Bajeli | 10th Jul 2018 | India, Review, Translation
Incorporating elements of post-modernism, surrealism and realism, Anjon Bose’s Garbh focuses on...
Read MorePosted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
Read MorePosted by Katerina Sinadinovska | 9th Jul 2018 | France, Germany, Review, Theatre and Politics, Translation
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read MorePosted by Vikram Phukan | 9th Jul 2018 | Adaptation, India, News
The fourth edition of Aadyam premieres with Atul Kumar’s crime extravaganza—Detective Nau Do...
Read MorePosted by Willow White | 8th Jul 2018 | Canada, Festivals, Review
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...
Read MorePosted by Jamie Portman | 8th Jul 2018 | Canada, Festivals, Review
The scene does offer some amusement. A benevolent Baroness has embarked on a key initiative in her...
Read MorePosted by Jenette Vizcocho | 8th Jul 2018 | Musical Theatre, News, Philippines
Ina Abuan started off like any other big fan of Sugarfree, but when she was invited to co-author a...
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