“Brodsky/Baryshnikov” – Poetry in Motion
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
Read MorePosted by Katrina Holden-Buckley | 7th Feb 2018 | Boston, Devised Theatre, Review, Theatre and Dance
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
Read MorePosted by Cate Cammarata | 6th Feb 2018 | New York, Prototype 2018, Theatre and Opera, Transmedia, United States of America
“To dive we must forget the surface fuss… Ignore all surface fuss.. Ignore the surface…” -From...
Read MorePosted by Heather Waters and Susan LaFever | 5th Feb 2018 | New York, Prototype 2018, Theatre and Film, Theatre and Opera, United States of America
Of the two reviewers, Waters saw Captive Wild Woman, the movie the opera is based on, the morning...
Read MorePosted by Duncan Graham | 5th Feb 2018 | Indonesia, Interview, Theatre and Dance
As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...
Read MorePosted by L. A. Flammang | 5th Feb 2018 | Dramaturgy, Review, United States of America
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
Read MorePosted by Zolima Citymag | 4th Feb 2018 | China, Hong Kong, Interview, Theatre and Opera
This article is brought to you by the 46th edition of the Hong Kong Arts Festival. If all you know...
Read MorePosted by Ezekiel Oliveira | 4th Feb 2018 | Israel, Review, Singapore, Theatre and Dance, Theatre and Gender
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
Read MorePosted by Umoren Ubong David | 4th Feb 2018 | Dramaturgy, Essay, Nigeria, Participatory Theatre
Can rhythm in theatre performances be sustained? Composing a moist and spicy story could be quite...
Read MorePosted by Madison Parrotta | 3rd Feb 2018 | Interview, Theatre and Disability, United States of America
This fall, Mickey Rowe was the first autistic actor to play Christopher Boone, the autistic main...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read MorePosted by Kendra Augustin | 3rd Feb 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, United States of America
When a show begins I find it difficult for me to be present. Almost, as if, I’m like...
Read MorePosted by Ekaterini Nikolarea | 2nd Feb 2018 | Essay, Translation
In this essay, I want to discuss the interface the Semiotics of Theater and Theater Translation as...
Read MorePosted by Zolima Citymag | 2nd Feb 2018 | China, Essay, Theatre and Opera
Chinese opera is as expansive and diverse as China itself – and it continues to thrive in the face...
Read MorePosted by Maja Stefanovska | 2nd Feb 2018 | Canada, Review, Theatre and Gender
Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...
Read MorePosted by Maria Kroupnik | 1st Feb 2018 | Festivals, News, Russia, Russian Theatre - Featured
The second “Mandelshtam-Fest” took place at Voronezh Chamber Theatre on December 8–10, 2017....
Read MorePosted by Aida Rocci | 1st Feb 2018 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
Theatre as a concept is related to the idea of “play.” After all, scripts are plays...
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