“Acquanetta” – A New Film Noire Opera at Prototype Festival
Of the two reviewers, Waters saw Captive Wild Woman, the movie the opera is based on, the morning...
Read MorePosted by Heather Waters and Susan LaFever | 5th Feb 2018 | New York, Prototype 2018, Theatre and Film, Theatre and Opera, United States of America
Of the two reviewers, Waters saw Captive Wild Woman, the movie the opera is based on, the morning...
Read MorePosted by Duncan Graham | 5th Feb 2018 | Indonesia, Interview, Theatre and Dance
As an event it was spectacular; as dance, it swirled past the barriers of culture and language. As...
Read MorePosted by L. A. Flammang | 5th Feb 2018 | Dramaturgy, Review, United States of America
On the first night of rehearsal in the Monte Cristo Cottage in New London, CT, Flock Theatre...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 