Reinterpreting The Tradition: A Contemporary Retelling Of Tang Xianzu’s “The Handan Dream” By The Guangzhou Dramatic Arts Centre
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
Read MorePosted by Letizia Fusini | 14th Feb 2018 | Adaptation, China, Review, Theatre and Opera
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
Read MorePosted by Richard Chung | 14th Feb 2018 | Playwriting, Review, Singapore
Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...
Read MorePosted by Bryony Kimmings | 13th Feb 2018 | Musical Theatre, News, United Kingdom
I cannot believe it’s the first month of 2018 and I’m here in the last week of rehearsals for A...
Read MorePosted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
Read MorePosted by Julian Meyrick | 13th Feb 2018 | Australia, Essay, Playwriting
In the introduction to her seminal book Creating Frames: Contemporary Indigenous Theatre, Mary...
Read MorePosted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics
The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...
Read MorePosted by Valentina Riccardi | 12th Feb 2018 | Directing, Interview, Singapore
As part of the media partnership with Intercultural Theatre Institute (ITI), culture360 has...
Read MorePosted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom
It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...
Read MorePosted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
Read MorePosted by Lauren Dubowski | 11th Feb 2018 | Devised Theatre, Divine Comedy Festival 2017, Festivals, Poland, Review
The Polish production To The Depths or To The Bottom (Do Dna), which appeared at the 2017 Divine...
Read MorePosted by Vikram Phukan | 10th Feb 2018 | Festivals, India, Review
Even when catapulted into public discourse in inglorious fashion, a la Aziz Ansari, our...
Read MorePosted by Alex Rogals | 10th Feb 2018 | Adaptation, Japan, Review, Transcultural Collaborations
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
Read MorePosted by Mark Galinovsky | 10th Feb 2018 | Interview, Musical Theatre, New York, United States of America
Rob Rokicki is a Drama Desk, Lortel, and Off-Broadway alliance-nominated composer/lyricist. His...
Read MorePosted by Michael Schweikardt | 9th Feb 2018 | Design, Interview, Musical Theatre, South Korea
I love Titanic, the sweeping Broadway musical with a book by Peter Stone and a score by Maury...
Read MorePosted by KaiChieh Tu | 9th Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Review, Theatre and Politics
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
Read MorePosted by Aleks Sierz | 8th Feb 2018 | London, Review, United Kingdom
Playwright Alan Ayckbourn basically comes in two flavors: suburban comedies of embarrassment and...
Read MorePosted by Jessica Rizzo | 8th Feb 2018 | New York, Review, Theatre and Gender, United States of America
The explosively feminine theater of Adrienne Kennedy breaks many of the fundamental “rules” of...
Read MorePosted by KaiChieh Tu | 8th Feb 2018 | Divine Comedy Festival 2017, Festivals, Poland, Review, Theatre and Politics
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
Read MorePosted by Yan Chen | 7th Feb 2018 | Devised Theatre, Review, United States of America
In Home, Geoff Sobelle and company, under the skillful direction of Lee Sunday Evans, create a...
Read MorePosted by Yana Meerzon | 7th Feb 2018 | Canada, Review, Theatre and Dance, Translation
In scholarly debates on contemporary theatre, the question about language has primary importance....
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