“My Kingdom For A…”–What?! Andrei Şerban’s “Richard III” At The Radnóti Theatre, Budapest
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
Read MorePosted by Natália Pikli | 15th Dec 2018 | Hungary, Review
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
Read MorePosted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan
Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...
Read MorePosted by Vikram Phukan | 13th Nov 2018 | Applied Theatre, Festivals, India, Review
“The Stage in the Drawing-Room” is the title of a 19th-century instruction manual by Henry Dakin...
Read MorePosted by Michael Appler | 1st Nov 2018 | New York, Review, United States of America
Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
Read MorePosted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
Read MorePosted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
Read MorePosted by Sarah Dustagheer | 25th Sep 2018 | Education, Essay, Review, Theatre and Film, United Kingdom
Making Shakespeare relevant for contemporary society is often the work of theatre directors,...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 23rd Sep 2018 | News, Russia, Russian Theatre Abroad
The Stage Russia project continues to bring classic novels by leading theaters to big screens...
Read MorePosted by Jamie Portman | 18th Sep 2018 | Canada, Festivals, Review
NIAGARA-ON-THE-LAKE, Ont.— Nearly a century ago, Winnie-The-Pooh creator A.A. Milne wrote a...
Read MorePosted by Patrick Langston | 11th Sep 2018 | Canada, Management
The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...
Read MorePosted by Joe Szekeres | 6th Sep 2018 | Canada, Festivals, Review
Purported to be the last play the Bard had written alone, Stratford’s version of The...
Read MorePosted by Sebastian Samur & Richard Windeyer | 28th Aug 2018 | Acting, Canada, Essay
With backgrounds in performance and sound design, we were interested in investigating how the...
Read MorePosted by Jamie Portman | 25th Aug 2018 | Adaptation, Canada, Festivals
By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...
Read MorePosted by Patrick Langston | 16th Aug 2018 | Canada, Festivals, News
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
Read MorePosted by Katalin Gabnai | 1st Aug 2018 | Hungary, Review
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
Read MorePosted by Sarah Kornfeld | 26th Jul 2018 | Review, Romania, Translation
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
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