Decolonising Shakespeare: Setting Othello in Ghana and Pericles in Glasgow
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Dawna Fung | 2nd Dec 2021 | Adaptation, China, Hong Kong, Review
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
Read MorePosted by Nobuko Tanaka | 30th Nov 2021 | Adaptation, Interview, Japan
Rena Matsui always knew she wanted to enter the acting world, and launching her career by...
Read MorePosted by Julia Sirmons | 27th Nov 2021 | New York, Review, Theatre and Politics, United States of America
“I have an aversion to ‘immersive theater,’” Tiago Rodrigues says at the beginning of By Heart. He...
Read MorePosted by Aleks Sierz | 2nd Nov 2021 | Adaptation, Review, United Kingdom
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
Read MorePosted by Mert Dilek | 28th Oct 2021 | Adaptation, London, Review, United Kingdom
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
Read MorePosted by Elizabeth Schafer | 3rd Aug 2021 | Covid-19, Review, United Kingdom
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
Read MorePosted by Robert White | 7th Jul 2021 | Australia, Books
John Bell’s new book Some Achieve Greatness is but the latest to use Shakespeare’s works to...
Read MorePosted by Alexa Alice Joubin | 7th Jun 2021 | Canada, Essay, Transmedia
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
Read MorePosted by Niloofar Mohtadi | 24th Apr 2021 | Adaptation, Interview, Iran
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
Read MorePosted by Paula Rodríguez | 23rd Apr 2021 | Acting, Essay, Theatre and Politics, Transmedia, United Kingdom
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
Read MorePosted by Katerina Eremina | 27th Feb 2021 | Adaptation, Belarus, Review
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
Read MorePosted by Catherine Butler | 7th Nov 2020 | Essay, United Kingdom
Who is Shakespeare’s greatest villain? Richard III? Iago? Macbeth? They all have a claim to the...
Read MorePosted by Nobuko Tanaka | 6th Nov 2020 | Japan, Review, Theatre and Art
A Midsummer Night’s Dream has the makings of a fairy tale: a forest full of meddling fairies,...
Read MorePosted by Rhiannon Ling | 21st Sep 2020 | Adaptation, Covid-19, United States of America
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
Read MorePosted by Andrew Agress | 17th Jul 2020 | Interview, Transmedia, United Kingdom
As many have already said, the best streamed performances seem to be those that are made for the...
Read MorePosted by Trevor Boffone | 27th Jun 2020 | Covid-19, News, United States of America
When Benito Vasquez, Marissa Castillo, and Jorge Diaz founded TEATRX in 2018, they never could...
Read MorePosted by Rajashree Das | 1st Jun 2020 | Covid-19, News, Theatre and Disability, Transmedia, United Kingdom
The COVID-19 pandemic has brought significant shifts in routines all over the world. With more...
Read MorePosted by Witold Loska | 24th May 2020 | Poland, Review, Theatre and Politics
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
Read More

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | ||
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | ||