Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 27th Oct 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MorePosted by Duška Radosavljević | 15th May 2025 | Review, Theatre and Politics, United Kingdom
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MorePosted by Jonathan Kalb | 19th Jul 2022 | Adaptation, New York, Playwriting, Review, United States of America
The first ten minutes of Robert Icke’s 3 ¾-hour Hamlet had me worried. Icke is a British directing...
Read MorePosted by Jack Wernick | 7th Jun 2022 | Adaptation, Review, Theatre and Decolonization, United States of America
Fat Ham arrives at the Public Theater for its first live production following the Zoom staging by...
Read MorePosted by Jamie Q. Roberts | 2nd May 2022 | Education, Essay, Transmedia, United Kingdom
Although I’m wary of declaring any literary work to be the greatest ever, Shakespeare’s Hamlet...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Elizabeth Schafer | 3rd Aug 2021 | Covid-19, Review, United Kingdom
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
Read MorePosted by Maria Delgado | 25th Dec 2020 | News, Spain
It’s December 22nd, not quite the night before Christmas but not far off, and the news has just...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Catherine Butler | 7th Nov 2020 | Essay, United Kingdom
Who is Shakespeare’s greatest villain? Richard III? Iago? Macbeth? They all have a claim to the...
Read MorePosted by Witold Loska | 24th May 2020 | Poland, Review, Theatre and Politics
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
Read MorePosted by Ágnes Bakk | 14th Feb 2020 | Interview, Romania, Transmedia
This interview was made within the framework of the exploratory research project rethinking...
Read MorePosted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Aleks Sierz | 4th Sep 2019 | Adaptation, London, Review, United Kingdom
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
Read MorePosted by Zabrina Lo | 17th Jul 2019 | Adaptation, Hong Kong, News
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
Read MorePosted by Hana Worthen | 5th Jul 2019 | Festivals, Review, United States of America
The First National Veterans Theatre Festival, a partnership between the Feast of Crispian (FoC)...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 18th Jun 2019 | Design, News, Russia
The Bolshoi Theater is known all over the world, whereas the Maly Theater, which is located...
Read MorePosted by Laura Kressly | 12th Jun 2019 | The Play's The Thing UK
It’s 2019 and we’re in purgatory. Some (many?) might say hell, considering the late capitalist...
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