Met Opera Returns with History-making Debut by Terence Blanchard
The Metropolitan Opera, which was closed after the coronavirus broke out in New York in March...
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Tag: COVID-19
Kerala-based Rangachetana Theatre Group Initiates a Unique Project to Help Artists in Need
The Thrissur-based collective has been organizing performances in the homes of artists and...
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Fringe Theatre Reaches Global Scale with Digital Platform
A new age of digital theatre is rising on the horizon, and its dawn is being accelerated by the...
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How Indonesian Young Creative Workers in Yogyakarta Stay Productive Amid the Pandemic
Danastri Rizqi Nabilah, a filmmaker from Yogyakarta – a city in Indonesia known for its education...
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A Gathering of Absence: The Multimedia Performance of “Abandoned Shores / Negative Photographs”
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak
This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...
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Hyderabad Theatre Groups Gear Up for a Live Performance with Caution
Amid fears of a third wave, the artists move on keeping an eye on the numbers Theatre in...
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Lucy McCormick’s “Life: LIVE!” at Battersea Arts Centre
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
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“Hamlet”: A Play That Speaks to Pandemics Past and Present
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
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Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic
Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...
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Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch
For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...
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Very Genki, Slightly Kitsch, Occasionally Compelling: The Olympic Opening Ceremony Put Humanity in Centre Frame
The rising of the Japanese flag and the singing of the national anthem is the first moment of...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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Between Pandemic and Protest: The Rise of Performative Activism in Poland
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.
This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...
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From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
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The Happening “12” – The 12th Between.Pomiędzy Festival of Literature and Theatre, 2021
On a pavement alongside a busy road, a line of people march one behind the other. The person at...
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Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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Online Acting Classes? Here Are the Pros and Cons
If you’re an out-of-work actor stuck at home in a lockdown, you’ve probably asked yourself this...
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