Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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Covid-19
Shreyas Talpade Set to Unveil Nine Rāsā in January 2021
BShreyas Talpade hopes his new digital theatre initiative will create new opportunities for...
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Amir Nizar Zuabi’s “This Is Who I Am:” A Reminder of Family, Humanity, and the Power of Theatre
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
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Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
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Alexandra Theatre Academy Hosts Inaugural Current Affairs Theatre Festival
The sprawling township of Alexandra came alive from Friday 23 – Sunday 25 October when the...
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“Death of England: Delroy”, National Theatre
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
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Leaving Reality with “Dave’s Roleplays”: An Interview with Actor David French
At first glance, one might consider portraying someone’s older brother, boyfriend, or therapist,...
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Performance Pugilism in the Pandemic – The Social Distance Showdown
The first Social Distance Showdown International Virtual Stage Combat Workshop took place on May...
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“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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“Parts of Life Will Be Damaged Forever” — Arts Workers Describe the Pandemic’s Impact on Their Mental Health
The arts industry is among the most devastated by the pandemic. Artists and arts workers often...
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Unlock 5 | Theatres Reopen to Poor Response
Owners hopeful of bouncing back to business during the coming festival season After staying shut...
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“Quarter Life Crisis” at The Bridge Theatre
Success smells sweet. The Bridge Theatre’s pioneering season of one-person plays continues with...
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Interview with French Theater Director Paul Desveaux
Paul Desveaux is the director of Compagnie L’Héliotrope. In the United States, he recently...
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Mumbai’s The Company Theatre Finds Innovative Ways to Navigate Theatre Digitally
Actor and artistic director Atul Kumar speaks on the need to experiment with ‘form’ to make...
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Shernaz Patel on the Changing Landscape of Theatre from Stage to Screen
Actor Shernaz Patel speaks about supervising the transition of theatre to benefit an online...
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4 Lessons from the NBA Bubble for the Future of Live Arts Performance
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
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Cambodia Is An Inspiration For The Healing Power Of Art After A Crisis
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
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As COVID Wreaks Havoc in the Performing Arts, Do We Still Need a National Opera Company?
Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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