“Balcony Scene in Quarantine”: TEATRX Presents Latinx Shakespeare in a Social Distancing World
When Benito Vasquez, Marissa Castillo, and Jorge Diaz founded TEATRX in 2018, they never could...
Read MorePosted by Trevor Boffone | 27th Jun 2020 | Covid-19, News, United States of America
When Benito Vasquez, Marissa Castillo, and Jorge Diaz founded TEATRX in 2018, they never could...
Read MorePosted by Emma Cooper | 19th Jun 2020 | Interview, New York, News, Producing, United States of America
The world has changed significantly not only in the last four months but more largely since the...
Read MorePosted by Kat Mustatea | 8th Jun 2020 | Covid-19, News, Participatory Theatre, Theatre and Politics, Transmedia, United States of America
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
Read MorePosted by Azudi Onyejekwe | 7th Jun 2020 | Essay, New York, Theatre and Politics, United States of America
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
Read MorePosted by Rhiannon Ling | 6th Jun 2020 | Interview, Theatre and Film, United States of America
Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid...
Read MorePosted by Rhiannon Ling | 18th May 2020 | Covid-19, Interview, Theatre for Young Audiences, United States of America
BLIXT Locally Grown was born on “a car ride between Scottsbluff and Lincoln,” Becky Boesen...
Read MorePosted by Andrew Agress | 11th May 2020 | New York, Review, United States of America
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
Read MorePosted by Ziming Jim Liu | 9th May 2020 | Interview, Playwriting, United States of America
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
Read MorePosted by Irina Yakubovskaya | 7th May 2020 | Interview, New York, Theatre and Art, United States of America
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Marisa C. Hayes | 26th Apr 2020 | New York, Puppetry, Review, Theatre and Art, Transcultural Collaborations, United States of America
In its simplest form, the proscenium is constructed of little more than cardboard. Small paper...
Read MorePosted by Lavinia Roberts | 25th Apr 2020 | Documentary Theatre, Review, Theatre and Politics, United States of America
Herrin Made was a play written and performed in the United States’ deeply rural area of Southern...
Read MorePosted by Megan McCormick | 20th Apr 2020 | New York, Review, Theatre and Opera, United States of America
On February 13th, 2020, 92Y celebrated German Lied with Beethoven and Schumann song cycles...
Read MorePosted by Asya Gorovits | 10th Apr 2020 | New York, Review, United States of America
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
Read MorePosted by Mary Davies | 4th Apr 2020 | Books, Dramaturgy, Interview, Playwriting, United States of America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
Read MorePosted by Maria Delgado | 2nd Apr 2020 | Chicago, Playwriting, Review, United States of America
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
Read MorePosted by Marcina Zaccaria | 31st Mar 2020 | Applied Theatre, Devised Theatre, Interview, New York, United States of America
Marcina Zaccaria, Editor of the Theatre and Opera Section of The Theatre Times, got the...
Read MorePosted by Jane Baldwin | 23rd Mar 2020 | Boston, Musical Theatre, Review, Theatre and Politics, United States of America
Hair the first Rock Musical opened in 1967 for six weeks at the New York Shakespeare Festival...
Read MorePosted by Jane Baldwin | 17th Mar 2020 | Boston, Musical Theatre, Review, United States of America
The winter holiday season generally brings a Charles Dickens’ play to theatres. At the New...
Read MorePosted by Jane Baldwin | 16th Mar 2020 | Boston, Review, United States of America
Lucy Kirkwood’s drama, now appearing at Boston’s SpeakEasy Stage, deals with climate...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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