Oedipus Zoom: Remaking Tragedy, Now Via Video Conference
The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough...
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United States of America
The Dangers of Optical Illusionary Performative Activism
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
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Michelle Memran on Maria Irene Fornes and “The Rest I Make Up”
Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid...
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BLIXT Locally Grown on Community-Driven Theatre During COVID-19
BLIXT Locally Grown was born on “a car ride between Scottsbluff and Lincoln,” Becky Boesen...
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Wit and Wisdom: “Much Ado About Nothing” at the Delacorte Theater
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
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Anya Richkind: The Spontaneous Playwright in Experimental Theatre
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
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Capturing the Ephemeral: Marc J. Franklin on Theatre Photography, Inspiration, and Community
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
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Drink From The Well of Yourself: “Play In Your Bathtub” as Quarantine Comfort Theatre
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
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The Magic is in the Miniature: Toy Theatre Thrives Online During Quarantine
In its simplest form, the proscenium is constructed of little more than cardboard. Small paper...
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“Herrin Made” Used Theatre to Reflect Community History in Southern Illinois
Herrin Made was a play written and performed in the United States’ deeply rural area of Southern...
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A Celebration of Love, Nature, and German Lied with 92Y
On February 13th, 2020, 92Y celebrated German Lied with Beethoven and Schumann song cycles...
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“Play In Your Bathtub” and “Life on Earth:” The Immersive and Digital Theatre in the Time of Social Distancing.
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
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“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
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Paranoia at the Fore in Steppenwolf’s Revival of Tracy Letts’s “Bug”
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
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Interviewing Crystal Field, Artistic Director or Theater for the New City
Marcina Zaccaria, Editor of the Theatre and Opera Section of The Theatre Times, got the...
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“Hair:” The American Tribal Love-Rock Musical
Hair the first Rock Musical opened in 1967 for six weeks at the New York Shakespeare Festival...
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“Oliver” at The New Repertory Directed by Michael J. Bobbitt
The winter holiday season generally brings a Charles Dickens’ play to theatres. At the New...
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“The Children:” An Important and Timely Work
Lucy Kirkwood’s drama, now appearing at Boston’s SpeakEasy Stage, deals with climate...
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Examining “A Black and White Cookie”
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
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“Cry It Out” at City Theatre, Pittsburgh PA
There are likely as many ways to relate to Molly Smith Metzler’s play Cry It Out as there are ways...
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