Fake Friends’ “Jerk” in Brooklyn
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Rhiannon Ling | 21st Oct 2020 | Essay, Theatre and Disability, Theatre and Politics, United States of America
There’s no denying that COVID-19 has been a financial and connectivity nightmare for artists....
Read MorePosted by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America
How do we continue forward without the great opera houses open? It is an extraordinary moment for...
Read MorePosted by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
Read MorePosted by Heather Waters | 8th Oct 2020 | Los Angeles, Playwriting, Theatre and Politics, United States of America
Sweat, by Lynn Nottage, is a cautionary tale about how the effects of poverty, or the threat of...
Read MorePosted by Colden Lamb | 7th Oct 2020 | Design, Interview, United States of America
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
Read MorePosted by Michael Schweikardt | 22nd Sep 2020 | Design, Interview, United States of America
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
Read MorePosted by Rhiannon Ling | 21st Sep 2020 | Adaptation, Covid-19, United States of America
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Emily Cordes | 10th Sep 2020 | Covid-19, Festivals, Review, Transmedia, United States of America
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
Read MorePosted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ+ Theatre, New York, Review, Transmedia, United States of America
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
Read MorePosted by Trevor Boffone | 4th Sep 2020 | Covid-19, Immersive Theatre, Participatory Theatre, Transmedia, United States of America
Strange Bird Immersive premieres its all-new immersive, virtual theatrical experience “The Strange Secret of Mr. Adrian Rook,” playing through October 10, 2020 on Zoom.
Read MorePosted by Clare Cioffero | 29th Aug 2020 | Boston, Covid-19, Review, Theatre and Politics, Transcultural Collaborations, United States of America
The Boston Experimental Theatre (BET) has created a production that manages to reflect our odd,...
Read MorePosted by Abigail Weil | 26th Aug 2020 | Review, United States of America
Ever since the quarantine began, a joke has been circulating throughout critical discourse—ok, on...
Read MorePosted by Rhiannon Ling | 21st Aug 2020 | New York, Review, Transmedia, United States of America
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
Read MorePosted by Megan McCormick | 18th Aug 2020 | Covid-19, New York, Review, Transmedia, United States of America
Throughout the pandemic, Guggenheim has been committed to financially supporting artists and...
Read MorePosted by Abigail Weil | 15th Aug 2020 | New York, Review, Transmedia, United States of America
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
Read MorePosted by Irina Yakubovskaya | 14th Aug 2020 | Interview, Participatory Theatre, Russian Theatre Abroad, Transcultural Collaborations, Transmedia, United States of America
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
Read MorePosted by Mark Meuwese | 14th Aug 2020 | Review, Theatre and Politics, United States of America
The recent release of the musical Hamilton by the Disney+ channel on July 3 received favorable...
Read MorePosted by James Montaño | 13th Aug 2020 | Interview, LGBTQ+ Theatre, Theatre and Gender, United States of America
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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