Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
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United States of America
Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside”
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
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Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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2021 Flying Start For Human Rights Art Festival
First of the block is ‘Human Freedom 2021- A Theater for Human Rights Campaign’. This initiative is spearheaded by newly-appointed 2021 IHRAF International Fellow, Alessandro Lenzi. It is organized through a global collaboration between Raizes Teatro (Palermo), International Human Rights Art Festival (NYC), Avant – Garde Lawyers (Paris), and Global Campus of Human Rights (Venice). Alessandro Lenzi is the Director of Raizes Teatro. The Last Era, a play written by Alessandro Ienzi will be one of the features of the campaign.
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Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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Out of the Darkness: A “Visit” with Lighting Designer Japhy Weideman
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
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The Rise of the Ridiculous in “Circle Jerk” by Fake Friends
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
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Amir Nizar Zuabi’s “This Is Who I Am:” A Reminder of Family, Humanity, and the Power of Theatre
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
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About “December”
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
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New Musicals Presented at the National Alliance of Musical Theatre’s 32nd Annual Festival
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
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Maintaining Whoville: Interview with Designers Chris Rynne and Shelly Williams
For the past twenty-three years, The Old Globe’s production of Dr. Seuss’ How The Grinch Stole...
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Radio-Drama Vibe of Resounding’s “Treasure Island: LIVE” Captivates
Based on Orson Welles’ 1938 radio play and adapted by Creative Director Steve Wargo,...
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“Imagining Marvin”: A Tribute to How Far (and Not Far) We’ve Come
An interview with Ryan Shaw In our new digital era, it was an honor to have a Zoom sit-down with...
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Embrace The Chaos: “Readymade Cabaret 2.0”
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
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Afro-Latinidad And The Greater Good Of The Latinx Playwrights Circle
In October 2017, a group of Latinx playwrights came together in New York City to share space,...
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A Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly...
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Leaving Reality with “Dave’s Roleplays”: An Interview with Actor David French
At first glance, one might consider portraying someone’s older brother, boyfriend, or therapist,...
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