Mary Zimmerman Directs “Rusalka” at The Met
Antonín Dvořák’s classic story of a water nymph opened at the Met on February 2. Seeing...
Read More
New York
Last Spring, Dementia Made It to Broadway! Part 2
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
Read More
August Wilson’s “Jitney” on Broadway
A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...
Read More
The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
Read More
Pith and Pathos In “Mata Hari” – A New Opera at HERE
There is no doubting the ambitions of Mata Hari, enjoying its world premiere at HERE, in New...
Read More
Dementia: The Theater Season’s “In” Disease Part 1
Not so long ago characters didn’t lose their memories onstage, even if on rare occasion actors...
Read More
Streaming Opera and Media: “Secondary Dominance” at PROTOTYPE
PROTOTYPE captures the opera lover’s attention again this year, with offerings that...
Read More
Dramaturgy of the Duels in Lin-Manuel Miranda’s “Hamilton”
Pistol Dueling in the Early United States as Presented on the Broadway Stage Two men face off in...
Read More
The Delicate Side of Heavy Metal: Philippe Quesne’s “La Mélancolie des Dragons”
Striking visual images from French director Philippe Quesne’s “La Mélancolie des Dragons,” presented by The Public Theater’s Under The Radar Festival.
Read More
Lars von Trier’s “Breaking the Waves” Opera at PROTOTYPE: Opera/Theatre/Now
Both postmodern tragedy and ageless love story, Lars von Trier’s 1996 film seemed inevitable...
Read More
Catch as Catch Can: Holden at the New Ohio Theatre
Reading J. D. Salinger’s 1951 The Catcher in the Rye marks the moment in the lives of countless...
Read More
Theatre Lie-Detector Test: NYC End-of-the-Year Roundup Edition
TRUE: Daniel Craig has real acting chops. If you doubted this because you thought the role of...
Read More
A Dramaturg’s Process in NYMF’s NextLink Project
It is much more challenging to dramaturg a musical than a straight play because there are so many more elements to consider, assess, and attempt to balance out. I examine each song in the score in terms of style, tempo, tone, melody, and length.
Read More
“Cut Piece for Pants Suit” in Madison Square Park
Once every four years most Americans sheepishly admit to trusted friends of similar political...
Read More
“The Babylon Line,” Richard Greenberg’s New Play at the Mitzi Newhouse Theatre
Anyone so inclined could find plenty of reasons to carp about The Babylon Line, Richard...
Read More
Chekhov Resonates: “The Hummm” at Dixon Place
Chekhov’s Three Sisters is distilled into vibration and iteration in The Hummm, a radical...
Read More
Lynn Nottage’s “Sweat” at The Public Theatre
What a journey Lynn Nottage’s Sweat has had. When this gorgeously incisive play about heartbreak...
Read More
The American Tour Of Contemporary Romanian Female Artists: Empowering Women
On the nights of November 18 & November 20, 2016, at Here Arts Centre, NYC, I was being...
Read More
Theater Review: Helluva Theatre Takes on Shaw’s “Major Barbara”
Helluva Theatre Company—newly formed under the mission to produce plays from the traditional canon...
Read More
“The Encounter” Is Merely A Circus Of Distorted Sounds
The Encounter, Simon McBurney’s two-hour intermissionless solo show on Broadway, which many...
Read MoreLike Us On Facebook
Most Popular Posts
- James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025
- Debating Identity: Is It Time to Rename Cairo’s… 26th September 2025
- “Lale Lili Marleen:” The Promising… 10th October 2025
