Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
Read MorePosted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
Read MorePosted by The Theatre Times | 10th May 2018 | Musical Theatre, New York, Review, United States of America
As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...
Read MorePosted by Kathy Tao | 8th May 2018 | New York, Review, Theatre and Opera, United States of America
In the world of piano, J.S. Bach’s Goldberg Variations is a siren’s call. Countless pianists have...
Read MorePosted by Heather Waters | 5th May 2018 | Acting, New York, Review, United States of America
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
Read MorePosted by Jessica Rizzo | 4th May 2018 | New York, Review, United States of America
On March 24, 1945, there was a party in Rechnitz, an Austrian town on the Hungarian border. The...
Read MorePosted by Jonathan Kalb | 4th May 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
Read MorePosted by David Vernon | 2nd May 2018 | New York, Playwriting, Review, United States of America
Tennessee Rising is a theatre piece that requires yet easily commands your full attention. The...
Read MorePosted by Magda Romanska | 29th Apr 2018 | Devised Theatre, New York, Polish Theatre Abroad, Review, United States of America
The Wooster Group’s newest production, A Pink Chair (In Place of a Fake Antique), was...
Read MorePosted by David Vernon | 24th Apr 2018 | Devised Theatre, Festivals, Interview, New York, United States of America
Jacob Storms is the recipient of the 2017 United Solo Award for Best One-Man Show after he...
Read MorePosted by The Theatre Times | 14th Apr 2018 | Musical Theatre, New York, Review, United States of America
There’s no curtain to create the traditional pomp and circumstance of American theatre. The stage...
Read MorePosted by Michael Appler | 12th Apr 2018 | Musical Theatre, New York, Review, United States of America
There is magic in this production, though it is Broadway magic arguably used for ill.
Read MorePosted by Rachel E. Diken | 9th Apr 2018 | Immersive Theatre, New York, Review, United States of America
Wow. In & Of Itself, written and performed by Derek DelGaudio for long runs with numerous...
Read MorePosted by Jonathan Kalb | 7th Apr 2018 | Adaptation, New York, Review, United States of America
Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...
Read MorePosted by The Theatre Times | 4th Apr 2018 | Millennial Perspectives, Musical Theatre, New York, Review, United States of America
With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, Theatre and Dance, Theatre and Opera, United States of America
BAM’s Harvey Theater always feels like a mammoth work in progress. Walls to the larger opera house...
Read MorePosted by Ahram Online | 26th Mar 2018 | Egypt, New York, News, Theatre and Dance, United States of America
Egypt’s renowned prima ballerina Magda Saleh was honored during the event From The...
Read MorePosted by Madison Parrotta | 23rd Mar 2018 | New York, Review, Theatre and Disability, United States of America
What do you do with a disabled child you can’t emotionally support? While not the biggest question...
Read MorePosted by David Vernon | 18th Mar 2018 | Directing, Interview, New York, United States of America
My aesthetic as a stage director is built first on a desire to create an experience that captures the poetic nature of the human condition. It’s a desire to connect with something larger than our sense of self, something sacred. And that’s what I see as the beauty of the theatre. In terms of the expression of that desire, my process is to bring to life a very visual, theatrical, and specific life on stage that illuminates increments of thought as components of physical action, which is how I articulate the methodology of One-Thought-One-Action.
The beauty of OTOA is that if you want to, you can use it almost like the cinematic process of editing film where one can compose one frame of action at a time. It’s how the text supports the physical actions on stage so that even if you could turn off the sound of the actors, the viewer would still get the story being told through the visual embodiment of thought as physical action.
Read MorePosted by Jonathan Kalb | 13th Mar 2018 | New York, Review, Theatre and Disability, United States of America
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
Read MorePosted by Jonathan Kalb | 7th Mar 2018 | New York, Review, Theatre and Politics, United States of America
New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...
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