Maybe “The Prom’s” greatest success, in all of its glitter and be gay, is a validation that splashy, garish musical comedies, themselves no champion of political correctness, can still be made from scratch. “The Prom,” exceptionally original yet cradled by tradition, is proof that bursting into jazz hands when someone puts you down is still a worthy prescription for joy.
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A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...
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Queer spaces, Miranda Rose Hall suggests, are uniquely suited to plot the points of sexual development, to explore the dynamic, malleable nature of identity. Queer sex not as negotiation or imitation, but as creation and innovation.
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Beyond the guises of harvest festivity, more sinister fates are at work. Holy vows have been broken. Betrayals and tragic sin done. Promises not made, innocent slain and wars unwon.
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You may find that this glorious Broadway revival, led by Michael Urie and Mercedes Ruehl in the same theater where it opened over 35 years ago, burns a softer flame — no less bright, for sure, but perhaps a bit more tender, lit for a time when a drag queen poised before a Broadway audience, while no less political, is imaginably less avant-garde.
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While Eve’s Song hopes to confront systemic issues of violence and race in America, it looks to do so amidst the microscopic setting of the family table — not a microcosm of these problems but an island that seeks to distance itself from them.
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What forces in today’s society will retain their power three hundred years into the future?...
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Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
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Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
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The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...
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M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
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Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
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As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
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A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
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Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
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oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.
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I lost a night’s sleep recently over Forced Entertainment. I did it on purpose. They were coming...
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Soho’s Performing Garage is the setting of a brief engagement from Poland called...
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