“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read MorePosted by Andrew Agress | 3rd Oct 2019 | Interview, New York, United States of America
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
Read MorePosted by Donald Brown | 2nd Oct 2019 | New York, Review, United States of America
Baba Brinkman’s Rap Guides in Repertory This Fall For starters, you might be skeptical that a...
Read MorePosted by Magda Romanska | 29th Sep 2019 | New York, Review, United States of America
Disclaimer: I was Jeremy’s teacher at Yale during the time he wrote Slave Play, so this isn’t a...
Read MorePosted by Abigail Weil | 28th Sep 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Andrew Agress | 27th Sep 2019 | New York, Review, United States of America
Hot off the heels of the success of Harry Potter and the Cursed Child, playwright Jack Thorne has...
Read MorePosted by Holly Rosen Fink | 24th Sep 2019 | Interview, New York, United States of America, Women on Broadway and Beyond
Milly Thomas is a writer and actor who hails from London. She is currently starring off-Broadway...
Read MorePosted by Abigail Weil | 19th Sep 2019 | Immersive Theatre, LGBTQ+ Theatre, New York, Review, Theatre and Politics, Theatre and Religion, United States of America
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
Read MorePosted by Abigail Weil | 17th Sep 2019 | Immersive Theatre, Musical Theatre, New York, Participatory Theatre, Review, Theatre and Opera, Theatre and Science, Transmedia, United States of America
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
Read MorePosted by Abigail Weil | 14th Sep 2019 | Adaptation, New York, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
Read MorePosted by Jack Wernick | 12th Sep 2019 | Interview, New York, Theatre and Politics, United States of America
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
Read MorePosted by Jonathan Kalb | 10th Sep 2019 | New York, Review, United Kingdom, United States of America
Betrayal is unique in the Pinter canon. Now beginning its fourth run on Broadway, it’s proving to...
Read MorePosted by Abigail Weil | 6th Sep 2019 | Adaptation, Musical Theatre, New York, Review, Theatre and Religion, Theatre and Science, United States of America
Felix Starro, a Ma-Yi Theater Company production playing at Theatre Row, is simultaneously...
Read MorePosted by Donald Brown | 22nd Aug 2019 | Festivals, New York, Review, United States of America
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
Read MorePosted by Meron Langsner | 6th Aug 2019 | Essay, New York, Stage Combat, United States of America
Let’s Talk About Day Jobs. Let’s not just talk about day jobs. Let’s talk about...
Read MorePosted by Holly Rosen Fink | 30th Jun 2019 | Interview, Musical Theatre, New York, United States of America, Women on Broadway and Beyond
Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...
Read MorePosted by Jack Wernick | 28th Jun 2019 | Adaptation, New York, Review, United States of America
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
Read MorePosted by Holly Rosen Fink | 14th Jun 2019 | New York, News, Theatre and Disability, Theatre and Gender, United States of America, Women on Broadway and Beyond
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

