There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
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New York
HERE’s “Looking at You”: Exposure & Revelation
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
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“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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Interview: Kristina Poe of LAByrinth Theater Company
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
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“Betrayal”: Popular Pinter
Betrayal is unique in the Pinter canon. Now beginning its fourth run on Broadway, it’s proving to...
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“Felix Starro” is Born
Felix Starro, a Ma-Yi Theater Company production playing at Theatre Row, is simultaneously...
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My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
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Seven Ways Fight Directing Made Me a Better Real Estate Agent: The Arts as Preparation for Business Success
Let’s Talk About Day Jobs. Let’s not just talk about day jobs. Let’s talk about...
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Director Annie Tippe on Directing “Octet,” a Musical About Online Addiction
Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...
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“1001 Nights” From Target Margin
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
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Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
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“The Impossible She” and The Evolution of Queer Stories in Opera
Representation within opera has always been thin; The Impossible She stood to try to expand those...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”
Holley Fain is no stranger to Broadway, having appeared in Present Laughter and Harvey in recent...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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“The Last Day of the Sun” at In Scena
The In Scena Festival is an ambitious undertaking. Presenting work each year by Italian artists,...
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Transcending Michael Chekhov From the Classroom to the Stage
Of the many precepts in developing a work for the stage, commonly method acting can be of the...
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Retro Productions’ “Mary, Mary”
The makeover story arc is a time-honored Hollywood tradition. Audrey Hepburn made several (Funny...
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What Schreck’s Endings Mean To Me
Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...
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Lola Arias: “Minefield”
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
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